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Classic female blues was an early form of blues music, popular in the 1920s. An amalgam of traditional folk blues and urban theater music, the style is also known as vaudeville blues. Classic blues were performed by female singers accompanied by pianists or small jazz ensembles and were the first blues to be recorded.
Vaudeville (/ ˈ v ɔː d (ə) v ɪ l, ˈ v oʊ-/; [1] French: ⓘ) is a theatrical genre of variety entertainment which began in France at the end of the 19th century. [2] A Vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs ...
Black Vaudeville is a term that specifically describes Vaudeville-era African American entertainers and the milieus of dance, music, and theatrical performances they created. Spanning the years between the 1880s and early 1930s, these acts not only brought elements and influences unique to American black culture directly to African Americans ...
Florence Hines (1868–1924) was a Black American vaudeville entertainer who was best known for performing throughout the United States in the 1890s as a male impersonator with Sam T. Jack's Creole Burlesque show. In her heyday, she was described as 'the greatest living female song and dance artist" [1] and 'the queen of all male impersonators ...
Edith Wilson (née Goodall; September 2, 1896 – March 31, 1981) was an American blues singer, vaudeville performer, and actress from Louisville, Kentucky, U.S.An African-American who performed and recorded in the classic female blues style in the 1920s, Wilson worked in vaudeville and stage productions, first in Louisville and later throughout the U.S. and abroad.
Vaudeville took the form of a series of separate, unrelated acts each featuring a different types of performance, including classical and popular musical acts, dance performances, comedy, animal acts, magic and illusions, female and male impersonators, acrobatic and athletic feats, one-act plays or scenes from plays, lectures, minstrels, or ...
Vincent Lopez's dance band makes first live broadcast of a performance on the radio. [34] Thomas A. Dorsey moves to Chicago for the second time in his life, this time hoping to make his way in the burgeoning blues and jazz scenes; he is electrified by the singing of W. M. Nix, thus beginning his career as a pioneering gospel singer. [35]
Alabamy Bound", one of many 'olio' song & dance numbers, early 1960s. An olio is a vaudeville number, a short dance or song, or a set of same, performed as an encore after the performance of a dramatic play. The term can also refer to a set of such performances, or to the curtain used during the set.