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The last is chroma or intensity, distinguishing between strong and weak colors. [6] A visual representation of chromatic scale is observable through the color wheel that uses the primary colors. [3] Color is divided into various classes, primary color, secondary color, complimentary color, tertiary color, analogous color and neutral color.
A form is an artist's way of using elements of art, principles of design, and media. Form, as an element of art, is three-dimensional and encloses space. Like a shape, a form has length and width, but it also has depth. Forms are either geometric or free-form, and can be symmetrical or asymmetrical.
There are three properties of color: hue, brightness or chroma, and value. Hue is the name of a color (red, yellow, and blue, etc.). Brightness and chroma refer to the intensity and strength of the color. A high chroma color is more pure and less greyed than a low chroma color. The lightness or darkness to a color is the value.
Form is one of the most frequent terms in literary criticism. It is often used merely to designate a genre or for patterns of meter lines and rhymes. For example, the subject of these two artworks is a bird, though both artworks are created in different styles.
Art form refers to the elements of art that are independent of its interpretation or significance. It covers the methods adopted by the artist and the physical composition of the artwork, primarily non-semantic aspects of the work (i.e., figurae), [57] such as color, contour, dimension, medium, melody, space, texture, and value.
The specific use of texture can impact the perceived smoothness or roughness conveyed by an artwork. For instance, rough surfaces can create a visually active effect, while smooth surfaces can evoke a visually restful sensation. Both types of texture can be employed to imbue a design with a sense of personality or utilized to create emphasis ...
Hearing tones and chords as he painted, Kandinsky theorized that (for example), yellow is the color of middle C on a brassy trumpet; black is the color of closure, and the end of things; and that combinations of colors produce vibrational frequencies, akin to chords played on a piano. In 1871 the young Kandinsky learned to play the piano and cello.
Its discussion also includes the way objects are made and their purely visual or material aspects. In painting, formalism emphasizes compositional elements such as color, line, shape, texture, and other perceptual aspects rather than content, meaning, or the historical and social context. At its extreme, formalism in art history posits that ...