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Collingwood is widely noted for The Idea of History (1946), which was collated from various sources soon after his death by a student, T. M. Knox.It came to be a major inspiration for philosophy of history in the English-speaking world and is extensively cited, leading to an ironic remark by commentator Louis Mink that Collingwood is coming to be "the best known neglected thinker of our time". [6]
Strauss further identified R. G. Collingwood as the most coherent advocate of historicism in the English language. Countering Collingwood's arguments, Strauss warned against historicist social scientists' failure to address real-life problems—most notably that of tyranny—to the extent that they relativize (or "subjectivize") all ethical ...
Collingwood was elected a fellow of Queens' College, Cambridge, in 1497, being then B.A., and proceeded M.A. two years later.He had the college title for orders on 7 Aug. 1497, was dean of his college in 1504, and obtained a license on 16 Sept. 1507 to travel on the continent during four years for the purpose of studying canon law.
R. G. Collingwood suggested in his published work title, The Principles of Art, that the theory of art was developed upon the theory of the world. [9] Collingwood states in his work that art is imaginary by using the example that if one creates music based on their imagination then a tune is an imaginary thing. [12]
[10] R.G. Collingwood shared Wittgenstein's criticism. [11] Initially, the book's influence on the emerging discipline of anthropology was pervasive. Polish anthropologist Bronisław Malinowski said of The Golden Bough: "No sooner had I read this great work than I became immersed in it and enslaved by it. I realized then that anthropology, as ...
The play is dedicated to Auden's geologist brother John Bicknell Auden who had taken part in an expedition near the Karakoram mountain K2. [2]The play is widely regarded as an allegory of Auden's own temptation to be a public figure; this interpretation was first offered by R. G. Collingwood in The Principles of Art (1938).
The first volume, Inscriptions on Stone, was then edited by R.G. Collingwood and R.P. Wright with an addendum by R.S.O. Tomlin. It was first published in 1965, with a new edition in 1995. Volume II contains, broadly speaking, the inscriptions found on instrumentum domesticum (Latin for 'domestic utensils').
He acknowledged the influence of Georg Wilhelm Friedrich Hegel and F. H. Bradley; [13] commentators also noticed resemblances between this work and the ideas of thinkers such as R. G. Collingwood [14] and Georg Simmel. [15]