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From the opening of the first chapter: "There is an old Sanskrit word, Lila (Leela), which means play. Richer than our word, it means divine play, the play of creation and destruction and re-creation, the folding and unfolding of the cosmos. Lila, free and deep, is both delight and enjoyment of this moment, and the play of God. It also means love.
¡Ole! or ¡olé! is a Spanish interjection used to cheer on or praise a performance, especially associated with the audience of bullfighting and flamenco dance. The word is also commonly used in many other contexts in Spain, and has become closely associated with the country; therefore it is often used outside Spain in cultural representation ...
In the Spanish Golden Age (Siglo de Oro) tradition, a comedia is a three-act play combining dramatic and comic elements. The principal characters are noblemen (galanes; sg.: galán) and ladies (damas) who work out a plot involving love, jealousy, honor and sometimes also piety or patriotism.
Title page of a comedy by Spanish playwright Lope de Vega. Catholic Spain was the most powerful European nation by the 16th century. [5] The Spanish Armada was defeated by England in 1588, however, while Spain was trying to defend the northern coast of Africa from the expansion of the Turkish Ottoman Empire, [6] and the gold and silver that Spain took from its possessions in the New World were ...
Because Spanish is a Romance language (which means it evolved from Latin), many of its words are either inherited from Latin or derive from Latin words. Although English is a Germanic language, it, too, incorporates thousands of Latinate words that are related to words in Spanish. [3]
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Yerma [ˈɟʝeɾma] is a play by the Spanish dramatist Federico García Lorca. It was written in 1934 and first performed that same year. García Lorca describes the play as "a tragic poem." The play tells the story of a childless woman living in rural Spain. Her desperate desire for motherhood becomes an obsession that eventually drives her to ...
This Spanish prologue is specifically characterized by praise and laudatory language for various people and places, often the royal court for example, to introduce the full-length play. The loa was also popular with Latin American or "New World" playwrights during the 17th and 18th centuries through Spanish colonization .