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The Florence Baptistery, also known as the Baptistery of Saint John (Italian: Battistero di San Giovanni), is a religious building in Florence, Italy.Dedicated to the patron saint of the city, John the Baptist, it has been a focus of religious, civic, and artistic life since its completion.
Overview. The Mosaic ceiling of the Florence Baptistery is a set of mosaics covering the internal dome and apses of the Baptistery of Florence.It is one of the most important cycles of medieval Italian mosaics, created between 1225 and around 1330 using designs by major Florentine painters such as Cimabue, Coppo di Marcovaldo, Meliore and the Master of the Magdalen, probably by mosaicists from ...
On the ceiling of the Baptistry is the story of the Battle of the Milvian Bridge (312 AD). An ambulatory surrounds the font and outer walls form a larger octagon. Attached to one side, towards the Lateran Basilica, is a fine porch with two porphyry columns and richly carved capitals, bases and entablatures.
The North Doors of the Florence Baptistery were made by Lorenzo Ghiberti between 1403 and 1424 and represent his first masterpiece, before the celebrated Gates of Paradise. The work is signed in the center, above the panels of the Nativity and the Adoration of the Magi: “ OPVS LAUREN/TII•FLOREN/TINI .”
Piazza del Duomo and Piazza San Giovanni, Florence South view from Giotto's bell. Piazza del Duomo (English: "Cathedral Square") is located in the heart of the historic center of Florence (Tuscany, Italy). It is one of the most visited places in Europe and the world and in Florence, the most visited area of the city. [1]
Lorenzo Ghiberti (UK: / ɡ ɪ ˈ b ɛər t i /, US: / ɡ iː ˈ-/, [1] [2] [3] Italian: [loˈrɛntso ɡiˈbɛrti]; 1378 – 1 December 1455), born Lorenzo di Bartolo, was an Italian Renaissance sculptor from Florence, a key figure in the Early Renaissance, best known as the creator of two sets of bronze doors of the Florence Baptistery, the later one called by Michelangelo the Gates of Paradise.
He later became an apprentice of Mino di Giovanni, about 1300, and worked with him on the sculpture for S. Maria della Spina at Pisa and elsewhere. He produced his main works in Florence . It is assumed that Giotto di Bondone was eventually more influential on his style than his earlier teacher.
Cossa was ransomed by the Republic of Florence in 1419 (Louis III had abandoned the allegiance of Sigismund in 1417), as orchestrated by Giovanni di Bicci de' Medici. [10] His ransom may have been a reward for past assistance to Florence, or a manoeuvre to put pressure on Martin V (still in Florence; he would arrive in Rome in September 1420 ...