Search results
Results from the WOW.Com Content Network
A demo of tabla playing. A tabla [nb 1] is a pair of hand drums from the Indian subcontinent.Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, [3] where it may be played solo, as an accompaniment with other instruments and vocals, or as a part of larger ensembles.
Khaprumama Parvatkar (1879–1953) was a musician from Goa, India who played tabla, as well as ghumot and the sarangi.Well versed in Dhrupad, Khayal and folk goan music forms, he was particularly known for his gifted and phenomenal taal and laya control, with the honorary title of Layabhaskar (laya= rhythm, bhaskar = Sun).
Ahmed Jan later known as 'Ahmed Jan Thirakwa' was born to a family of musicians in 1892 in Moradabad in the North-Western Provinces of British India. [5] Although his early musical training was in Hindustani vocals and the sarangi, his interest in tabla was aroused when he first heard tabla player Munir Khan. He became Munir Khan's disciple at ...
The term tabla is derived from an Arabic word which means "drum", and this attests to its status as a product resulting from the fusion of musical elements from indigenous Hindu and Central Asian Muslim cultures that began in the late 16th century.
The Farrukhabad Gharana of Tabla was created in the 11th Century by a Rajput Court musician Akaasa who later had to convert to Islam and became a Muslim (Dastaan-e-akasa). He also changed his name from Akaasa to Mir Akaasa. He was the first to introduce bols into tabla playing. The first bols introduced in tabla were "tat-dhit-thun-nan".
The Delhi or Dilli Gharana, is a tabla traditional playing style, "regarded by many as the fountainhead of all the tabla gharanas" and known for being the first and oldest gharana playing style of tabla. It also is one of the six most common styles of playing of the Hindustani tabla.
The Lucknow Gharānā, also known as "Purab Gharâna" for tabla, is a discipleship tradition ("gharana") with a tabla legacy and Kathak legacy. These two traditions are known for being one of the six major gharanas of tabla and three gharanas of kathak.
The Benares tabla gharana was developed a little over 200 years ago by Pandit Ram Sahai (1780–1826). At the age of nine, Ram moved to Lucknow to become a disciple of Modhu Khan of the Lucknow gharana. After some time performing in Benares, Pandit Ram Sahai felt the need to make a significant change in his tabla playing.