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  2. Star Wars: Episode II – Attack of the Clones (soundtrack)

    en.wikipedia.org/wiki/Star_Wars:_Episode_II...

    The soundtrack to Star Wars: Episode II – Attack of the Clones was released by Sony Classical on April 23, 2002. The music was composed and conducted by John Williams, and performed by the London Symphony Orchestra and London Voices in January 2002, with orchestrations provided by Conrad Pope and Eddie Karam.

  3. Music of Star Wars - Wikipedia

    en.wikipedia.org/wiki/Music_of_Star_Wars

    Diegetic music is music "that occurs as part of the action (rather than as background), and can be heard by the film's characters". [89] In addition to the orchestral scope that was brought on by John Williams' musical score, the Star Wars franchise also features many distinguishing diegetic songs that enrich the detail of the audio mise-en ...

  4. Star Wars: Episode II – Attack of the Clones - Wikipedia

    en.wikipedia.org/wiki/Star_Wars:_Episode_II...

    He invites Obi-Wan to help him stop Sidious, but Obi-Wan refuses. Senate Representative Jar Jar Binks proposes a successful vote to grant emergency powers to Chancellor Palpatine, allowing the clone army to be officially mobilized as the military of the Republic. Anakin and Padmé head to Geonosis to rescue Obi-Wan.

  5. Obi-Wan Kenobi (miniseries) - Wikipedia

    en.wikipedia.org/wiki/Obi-Wan_Kenobi_(miniseries)

    Obi-Wan Kenobi is an American space opera television miniseries produced by Lucasfilm for the streaming service Disney+.It is part of the Star Wars franchise. Set ten years after the Jedi Order was purged during the events of the film Star Wars: Episode III – Revenge of the Sith (2005), the series follows surviving Jedi Master Obi-Wan Kenobi who emerges from hiding to rescue the kidnapped ...

  6. Star Wars: Episode III – Revenge of the Sith (soundtrack)

    en.wikipedia.org/wiki/Star_Wars:_Episode_III...

    "Battle of the Heroes" is the theme for the climactic duel between Anakin Skywalker and Obi-Wan Kenobi, written upon the request of George Lucas. [4] Lucas wanted a piece that would function as a tragic version of "Duel of the Fates" in the film's final fight scenes. The concert suite begins with a soft and tense ostinato by the violas in tremolo.

  7. Duel of the Fates - Wikipedia

    en.wikipedia.org/wiki/Duel_of_the_Fates

    The music had its debut during the final lightsaber duel between Qui-Gon Jinn, Obi-Wan Kenobi, and Darth Maul in Star Wars: Episode I – The Phantom Menace.The beginning portion used on the soundtrack is replaced with the beginning of a separate track titled Qui-Gon's Noble End; [5] however, the full version of the original recording is used during the film's end credits.

  8. Obi-Wan Kenobi (soundtrack) - Wikipedia

    en.wikipedia.org/wiki/Obi-Wan_Kenobi_(soundtrack)

    Williams composed his new Obi-Wan theme in just two weeks. [10] This was the second time Williams had written a theme for a Star Wars project for which he was not the main composer, following Solo . Holt described William's theme as "reflective" and "just entirely appropriate" for the series. [ 3 ]

  9. Obi-Wan Kenobi - Wikipedia

    en.wikipedia.org/wiki/Obi-Wan_Kenobi

    Obi-Wan and Luke hire the smugglers Han Solo and Chewbacca to take them to Alderaan aboard Han's ship, the Millennium Falcon. During the journey, Obi-Wan instructs Luke in lightsaber combat. Obi-Wan suddenly feels "a great disturbance in the Force"; soon after, he and the others find that the Empire has obliterated Alderaan.

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