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Mabel Evans Dodge Sterne Luhan (pronounced LOO-hahn; née Ganson; February 26, 1879 – August 13, 1962) was an American patron of the arts, who was particularly associated with the Taos art colony. Early life
Mabel Dodge Luhan was born into a wealthy family and was well-educated in the arts. In the 1910s, she became well known for the salon-style gatherings at her New York City apartment. Her short marriage to painter Maurice Sterne brought her to New Mexico in 1917, where she soon bought the property near Taos, and sought to recreate the salon ...
According to Calvin Tomkins, in a 1974 interview, "She rather liked Mabel Dodge Luhan—was amused by her, even when Mabel was at her bullying worst. Mabel and Dorothy Brett, the painter, and Frieda Lawrence, who had settled near Taos after D. H. Lawrence died, in 1930, carried on a running three-cornered feud. They had all idolized Lawrence ...
In 1922, the now-legendary arts patron Mabel Dodge Luhan invited the British writer D.H. Lawrence to her home in Taos, New Mexico. A decade later, she published a memoir about the visit called ...
Sterne was a wealthy society hostess and arts patron who had taken up residence in Taos and who was to marry Tony Lujan (stylized Luhan by Sterne), a Native American from Taos Pueblo, thus becoming Mabel Dodge Luhan in 1923. [3] Traveling via Australia, then to San Francisco, Lawrence and Frieda arrived in Taos in mid-September 1922. [3]
Mabel Dodge Luhan House. December 4, 1991 : Taos Taos: Artists' haven of Mabel Dodge Luhan, now an inn: 21 ...
Socialite Mabel Dodge Luhan arrived in Taos in 1917 and brought "creative luminaries" to the area, including Carl Jung, Georgia O'Keeffe, D. H. Lawrence, Thomas Wolfe, Willa Cather, Ansel Adams, Thornton Wilder, and Aldous Huxley. [7] Sites. Ernest L. Blumenschein House; Eanger Irving Couse House and Studio—Joseph Henry Sharp Studios; Nicolai ...
This short work describes the tumultuous relationship of D. H. Lawrence, his wife Frieda, Dorothy Brett and Mabel Dodge Sterne Luhan, a wealthy patron of the arts. Armitage took it upon himself to print 16 hardcover copies of this work for his friends. Richard Pousette-Dart executed the drawings for Taos Quartet that was published in 1950. [13]