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Andante et Scherzo for saxophone quartet (1938) Divertissement for alto saxophone (or English horn) and piano, Op. 39 (1939) Pulcinella for alto saxophone (or clarinet) and piano, Op. 53 No. 1 (1944) Scaramouche for alto saxophone and piano, Op. 53 No. 2 (1944) 12 Études-caprices for saxophone, Op. 60 (1944) Nuages, Scherzo for saxophone ...
Other examples; the second movement of Shostakovich's Symphony No. 10, the second (sometimes third) movement of Mahler's Symphony No. 6, Felix Mendelssohn's composition for A Midsummer Night's Dream between act 1 and 2, and in several of Bruckner's symphonies. In present-day compositions, the scherzo has also made appearances.
String Quartet No. 1 (1960) String Quartet No. 2 (1968) Der unterbrochene Gedanke, for string quartet (1988) String Trio (1991) Clarinet Quartet (1993) Violin Sonata No. 2 (1999) Sextet, for clarinet, horn, violin, viola, cello and piano (2000) Agnus Dei, for eight cellos (transcription of the choral work; 2007) String Quartet No. 3 (2008)
String Quartet No. 3 (1983) Sound and Echo (Schall und Hall) for trombone and organ (1983) String Trio (1985, also arranged as Piano Trio, 1992) – shares a theme with the Cello Concerto No. 1 from 1986; Quartet for piano and strings (1988) String Quartet No. 4 (1989) Madrigal in Memoriam Oleg Kagan for solo violin or cello (1990)
The piece was premiered on December 29, 1882 by Brahms himself on piano, violinist Hugo Heerman, and Adolf Müller (Cellist of the Joachim Quartet at the time), at a chamber music museum concert in Frankfurt. [8] The program also presented the premiere of String Quintet No. 1 in F Major, Op. 88. [8]
The String Quartet No. 2 in G major, Op. 18, No. 2 (actually his third), was written by Ludwig van Beethoven between 1798 and 1800 and published in 1801, dedicated to Joseph Franz von Lobkowitz. It consists of four movements: Allegro ; Adagio cantabile – Allegro – Tempo I ; Scherzo: Allegro (G major) - Trio in C major
This scherzo is scored for solo piano and has a duration of only two minutes. As is customary, the scherzo has an ABA structure and is in 3 4. The scherzo part itself starts in G minor, initially marked Allegro by Stravinsky, but later changed to Vivo, probably by Richter himself. [4] The trio is marked Moderato and modulates to G major. During ...
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