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Hentoff was born on June 10, 1925, in Boston, Massachusetts, [2] [3] the firstborn child of Simon, a traveling salesman, and Lena (née Katzenberg). [4] [5] His parents were Jewish Russian immigrants. [6]
The idea for Mighty Ira first originated in 2017, after Perrino met Glasser in New York City at the funeral of writer and jazz critic Nat Hentoff. [8] The film was produced by Perrino and his Foundation for Individual Rights and Expression colleagues Reese and Maltby. [9]
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Nat Hentoff's liner notes state, "In the club, the mood of the caricature was much more bitingly sardonic and there was a great deal more tension. Mingus says the other label would not allow him to record the talking sections, which he feels are an important part of the overall color and movement of the piece.
The Jazz Review was a jazz criticism magazine founded by Nat Hentoff and Martin Williams in New York City in 1958. It was published till 1961. Hentoff and Williams were co-editors throughout its brief existence (23 issues). Many issues of The Jazz Review are available at Jazz Studies Online, which assesses its quality as follows:
They notified friends and relatives, wrote a eulogy for their newspaper, and made funeral arrangements. They held the memorial service on what would have been their son’s 26th birthday. At Recovery Works, Patrick’s former treatment facility, his name and photo were added to a memory wall in a common room — another fatal overdose in a ...
She was interviewed at the time by Nat Hentoff, a local jazz critic and historian working for WMEX as well as Down Beat, who described her as being at the time joyful, responsible, and cooperative, due to her recent marriage to Louis McKay. As well as arriving on time for every set, she volunteered to perform extra sets specifically for the ...
Enjoy a classic game of Hearts and watch out for the Queen of Spades!