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On-screen graphic from Roger Ebert & the Movies. Ebert continued the show with a series of guest critics. [28] [29] Originally retaining the Siskel & Ebert title, the program was renamed Roger Ebert & the Movies on the weekend of September 4–5, 1999, after Siskel's death. The guests matched wits with Ebert and tested their chemistry.
Richard E. Roeper (born October 17, 1959) [1] is an American columnist and film critic for the Chicago Sun-Times.He co-hosted the television series At the Movies with Roger Ebert from 2000 to 2008, serving as the late Gene Siskel's successor.
At the Movies (also known as At the Movies with Gene Siskel and Roger Ebert) is an American movie review television program that aired from 1982 to 1990. It was produced by Tribune Entertainment and was created by Gene Siskel and Roger Ebert when they left their show Sneak Previews, which they began on Chicago's PBS station, WTTW, in 1975.
Ebert Presents: At the Movies is a weekly, nationally syndicated movie review television program produced by film critic Roger Ebert and his wife, Chaz Ebert.The program aired on public television stations in the United States through American Public Television from January 21 to December 30, 2011.
RogerEbert.com is an American film review website that archives reviews written by film critic Roger Ebert for the Chicago Sun-Times and also shares other critics' reviews and essays. The website, underwritten by the Chicago Sun-Times, was launched in 2002. [1] Ebert handpicked writers from around the world to contribute to the website.
Siskel and Ebert started their professional collaboration on the local Chicago PBS station WTTW with a show entitled Opening Soon at a Theatre Near You (1975–1977), before it was renamed two years later when the show was syndicated nationally to Sneak Previews (1977–1982). [2]
For the Love of Movies: An Interview with Gerald Peary by Chris Fujiwara; For the Love of Movies: The Story of American Film Criticism A Brief Overview; For the Love of Movies: The Story of American Film Criticism at the TCM Movie Database; For the Love of Movies: The Story of American Film Criticism at The New York Times
Because Siskel and Ebert had trademarked the phrase "Two Thumbs Up", Lyons and Gabler simply gave "yes" or "no" judgments to the movies they reviewed. [10] Each post-1982 episode (with the exception of 1989 to 1991) ended with the catch phrase "Don't forget to save us the aisle seats."