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In 1888, Eglin invented a special type of clothes-wringer, which was a machine that had two wooden rollers attached to a crank; after being washed and rinsed, wet clothes were fed between these rollers and an immense amount of water was squeezed out. The clothes were then hung to dry, a process which took significantly less time due to the wringer.
Women generally wore a kerchief, called tubatub if it was pulled tight over the whole head; but they also had a broad-brimmed hat called sayap or tarindak, woven of sago-palm leaves. Some were evidently signs of rank: when Humabon's queen went to hear mass during Magellan's visit, she was preceded by three girls carrying one of her hats .
During the early 18th century the first fashion designers came to the fore as the leaders of fashion. In the 1720s, the queen's dressmaker Françoise Leclerc became sought-after by the women of the French aristocracy, [4] and in the mid century, Marie Madeleine Duchapt, Mademoiselle Alexandre and Le Sieur Beaulard all gained national recognition and expanded their customer base from the French ...
Clothing appears in numerous contexts in the Bible. The most prominent passages are: the story of Adam and Eve who made coverings for themselves out of fig leaves, Joseph's coat of many colors, and the clothing of Judah and Tamar, Mordecai and Esther. Furthermore, the priests officiating in the Temple in Jerusalem had very specific garments ...
While first designed for women, the union suit was also adopted by men, and is still sold and worn today, by both men and women, as winter underclothing. In 1878, a German professor named Gustav Jaeger published a book claiming that only clothing made of animal hair, such as wool, promoted health. A British accountant named Lewis Tomalin ...
Cretan women's clothing included the first sewn garments known to history. Dresses were long and low-necked, with the bodice being open almost all the way to the waist, leaving the breasts exposed. [18] Dresses were often accompanied by the Minoan corset, an early form of corset created as a close fitting blouse, designed to narrow the waist.
Caresse Crosby (born Mary Phelps Jacob; April 20, 1892 – January 24, 1970) [1] was the recipient of a patent for the first successful modern bra, [2] an American patron of the arts, a publisher, and the woman Time called the "literary godmother to the Lost Generation of expatriate writers in Paris."
Many myths and exaggerations about the period persist to the modern day. Examples include the idea of men's clothing is seen as formal and stiff, women's as elaborate and over-done; clothing covered the entire body, and even the glimpse of an ankle was scandalous. Critics contend that corsets constricted women's bodies and women's lives.