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Shelves of collected volumes of shōjo manga under the Margaret Comics imprint at a bookstore in Tokyo in 2004. Shōjo manga (少女漫画, lit. ' girls' comics ', also romanized as shojo or shoujo) is an editorial category of Japanese comics targeting an audience of adolescent females and young adult women.
Basara (manga) Battery (novel series) Beast Master (manga) Beasts of Abigaile; Beauty and the Beast of Paradise Lost; Beauty Is the Beast; Beauty Pop; Berry Dynamite; The Betrayal Knows My Name; Biblia Koshodō no Jiken Techō; Binetsu Shōjo; Black Bird (manga) Black Gate (manga) Black Rose Alice; Black Sun, Silver Moon; Blank Slate (manga ...
Manga OVA [8] Cardcaptor Sakura: 1996 Clamp: Manga Anime television series, anime films [9] Cardcaptor Sakura: Clear Card: 2018 Clamp: Manga OVA, Anime television series [10] Corrector Yui: 1999 Kia Asamiya: Anime television series Manga [11] Codename: Sailor V: 1991 Naoko Takeuchi: Manga — [12] Cosmic Baton Girl Comet-san: 2001 Mitsuteru ...
The sequel, Zoku Manga Mitaina Koi Shitai! ( 続まんがみたいな恋したいっ! ) , was shown on October 1, 2004, also published by Shogakukan , and it was released in English under the title Fall in Love Like a Comic! vol. 2 on January 1, 2008, again by Viz Media .
Kageki Shojo!! (かげきしょうじょ!!, Kageki Shōjo!!) is a Japanese manga series by Kumiko Saiki. It was serialized as Kageki Shojo! (かげきしょうじょ!, Kageki Shōjo!) in Shueisha's seinen manga magazine Jump X from 2012 to 2014 and was collected in two tankōbon volumes. It was later re-released as Kageki Shojo!!
Cultural Exchange with Game Center Girl (Japanese: ゲーセン少女と異文化交流, Hepburn: Gēsen Shōjo to Ibunka Kōryū) is a Japanese manga series written and illustrated by Hirokazu Yasuhara. It originally began serialization online via Twitter and Pixiv in December 2019.
This is a list of manga magazines or manga anthologies ... Originally published as Bessatsu Shoujo Friend between 1965 until December 1984. [130] Bessatsu Shōnen Sunday:
The emergence of manga for an adult female audience as a category in the 1980s was preceded by the rise of gekiga in the 1950s and 1960s, which sought to use manga to tell serious and grounded stories aimed at adult audiences, and by the development of more narratively complex shōjo manga by artists associated with the Year 24 Group in the ...