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The Willow pattern is a distinctive and elaborate chinoiserie pattern used on ceramic tableware. It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from Qing dynasty China.
'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration was commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing , though other methods of application have also been used.
A 20th century version of The Willow Pattern, a typical Staffordshire Potteries product in blue and white transfer printed earthenware. Thomas Minton (1765–1836) was an English potter . He founded Thomas Minton & Sons in Stoke-on-Trent , Staffordshire , which grew into a major ceramic manufacturing company with an international reputation.
The earliest datable objects are blue-and-white border tiles that decorate the mausoleum in Bursa of Şehzade Mahmud, one of the sons of Bayezid II, who died in 1506–1507. [ 43 ] [ 44 ] The term 'Abraham of Kütahya ware' has been applied to all the early blue-and-white Iznik pottery as the 'Abraham of Kütahya' ewer, dating from 1510, is the ...
Qingbai ("Blueish-white") glazed bowl with carved peony designs, Jingdezhen, Southern Song, 1127–1279 Early blue and white porcelain, c. 1335, the shape from Islamic metalwork. Jingdezhen porcelain (Chinese: 景德镇陶瓷) is Chinese porcelain produced in or near Jingdezhen in Jiangxi province in southern China.
Chinese blue and white ware then became extremely popular in the Middle East, where both Chinese and Islamic types coexisted. Most surviving Iranian blue and white ware are bowls with narrow foot-rings and some distinctive shapes of Chinese blue and white wares like a high-shouldered vase known as meiping in China.
It is composed of intricate but symmetrical patterns, vibrant colours, varied stitches and a defined weave. Its use of primary colors, light and shade are reminiscent of western paintings. Shu Xiu (蜀绣) – Sichuan embroidery comes from areas around Chengdu, Sichuan Province. It is among the oldest known embroidery styles in Chinese ...
Blue was a latecomer among colors used in art and decoration, as well as language and literature. [7] [verification needed] Reds, blacks, browns, and ochres are found in cave paintings from the Upper Paleolithic period, but not blue. Blue was also not used for dyeing fabric until long after red, ochre, pink and purple.