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It is a compound of the Pali ti or Sanskrit word of tri (त्रि), meaning "three", and piṭaka (पिटक), meaning "basket". [1] These "three baskets" recall the receptacles of palm-leaf manuscripts and refer to three important textual divisions of early Buddhist literature: Suttas , the Vinaya , and the Abhidhamma .
In Tibetan Buddhism, the Three Jewels and Three Roots are supports in which a Buddhist takes refuge by means of a prayer or recitation at the beginning of the day or of a practice session. The Three Jewels are the first and the Three Roots are the second set of three Tibetan Buddhist refuge formulations, the Outer , Inner and Secret forms of ...
Regarding the Christian concept of the Trinity, Buddhism rejects the idea that there can only be one divine incarnation (i.e. one incarnation of "the Son"). Indeed, in Buddhism, there are an immeasurable number of manifestations (nirmanakayas) throughout the universe. So this is a major difference between the Trinity and the Trikaya. [20]
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
The Vinaya Piṭaka (English: Basket of Discipline) is the first of the three divisions of the Pali Tripitaka, the definitive canonical collection of scripture of Theravada Buddhism. The other two parts of the Tripiṭaka are the Sutta Piṭaka and the Abhidhamma Piṭaka.
The 80 minor characteristics of the Buddha are known to be enumerated a number of times in the extant Āgamas of the Chinese Buddhist canon. [17] According to Guang Xing, the 80 minor marks are related to the 32 major marks, and are merely a more detailed description of the Buddha's bodily features. [17]
It can be a singular image or a group of images; the honzon in the main (hondō) or treasure (kondō) hall of the temple can be for that particular hall or the entire temple complex. Sometimes honzon is the central image ( chūson ) of a cluster of three ( sanzonbutsu ) or five ( goson ) images.
The Thirty-Five Confession Buddhas are a common subject depicted in Himalayan Buddhist paintings and sculpture. There are at least three different iconographic systems for depicting the Thirty-Five Buddhas, based on the different descriptions found in ritual texts and commentaries by different authors including Nagarjuna, [nb 1] Sakya Paṇḍita, Jonang Tāranātha and Je Tsongkhapa.