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Black Rain (1989 Japanese film) Black River (1957 film) Black Test Car; Blood Is Dry; Bloody Spear at Mount Fuji; Boyhood (1951 film) Branded to Kill; Brooba; A Brother and His Younger Sister; Brothers and Sisters of the Toda Family; Bullet Ballet; The Burmese Harp (1956 film) The Burning Sky; Bushido, Samurai Saga
Abbas Kiarostami, [2] Elia Suleiman, [3] and Kelly Reichardt are also considered minimalist filmmakers. The Minimalists – Joshua Fields Millburn, Ryan Nicodemus, and Matt D'Avella – directed and produced the film Minimalism: A Documentary, [4] which showcased the idea of minimal living in the modern world.
Plate used to print ukiyo-e. Ukiyo-e is a Japanese printmaking technique which flourished in the 17th through 19th centuries. Its artists produced woodblock prints and paintings of subjects including female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Japanese flora and fauna; and erotica.
Kazuko Miyamoto (宮本 和子, Miyamoto Kazuko, born 1942) is a Japanese-born American visual and performance artist based in New York City, associated with feminist art, minimalism, and postminimalism. Miyamoto's artistic style combines formalist minimalism with a foregrounding of the artist's hand to insert a subtle and ironic commentary on ...
Minimalism was an art movement that began during the 1960s. This list of minimalist artists are primarily artists whose works were done in the 1960s, and are considered minimal, although some artists subsequently radically changed their work in the 1970s and in subsequent decades. This list is incomplete.
Daidō Moriyama (Japanese: 森山 大道, Hepburn: Moriyama Daidō [1], born October 10, 1938) is a Japanese photographer best known for his black-and-white street photography and association with the avant-garde photography magazine Provoke.
Yayoi Kusama was born on 22 March 1929 in Matsumoto, Nagano. [11] Born into a family of merchants who owned a plant nursery and seed farm, [12] Kusama began drawing pictures of pumpkins in elementary school and created artwork she saw from hallucinations, works of which would later define her career. [9]
The 47 Ronin (元禄 忠臣蔵, Genroku Chūshingura, "The Treasury of Loyal Retainers of the Genroku Era") is a black-and-white two-part jidaigeki Japanese film directed by Kenji Mizoguchi, adapted from a play by Seika Mayama. [3] The first part was released on December 1, 1941 with the second part being released on February 11 of the ...