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Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism (among other religions), sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last form is often called a mandorla.
The word swastika is derived from the Sanskrit root swasti, which is composed of su 'good, well' and asti 'is; it is; there is'. [31] The word swasti occurs frequently in the Vedas as well as in classical literature, meaning 'health, luck, success, prosperity', and it was commonly used as a greeting.
The angel who rescues Shadrach, Meshach, and Abednego from the "fiery furnace" in the Book of Daniel Chapter 3 is usually regarded in Christian tradition as Michael; this is sometimes represented in Early Christian art and Eastern Orthodox icons, but rarely in later art of the Western church.
Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
Nuestro Padre Jesús Nazareno (Filipino: Mahál na Poóng Jesús Nazareno), officially and liturgically known as Jesús Nazareno, and popularly known as the Black Nazarene (Spanish: El Nazareno Negro; Filipino: Poóng Itím na Nazareno), [1] is a life-sized dark statue of Jesus Christ carrying the True Cross.
In 1993, the painting was moved to the city's St Mungo Museum of Religious Life and Art, returning to Kelvingrove for the latter's reopening in July 2006. In 2022, the painting was loaned for a five-month period to The Auckland Project in Bishop Auckland, County Durham to be displayed alongside El Greco's painting of Christ of the Cross. [10]
The two-armed "Black-Cloaked Mahakala" (Wylie: mgon po ber nag chen) is a protector of the Karma Kagyu school clad in the cloak of a māntrika "warlock". His imagery derives from terma of the Nyingma school and was adopted by the Karma Kagyu during the time of Karma Pakshi, 2nd Karmapa Lama .
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