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Stubbs's Molly Long-legs with her Jockey (1761–62), a more typical racehorse portrait (101 × 127 cm). Stubbs's knowledge of equine physiology was unsurpassed by any painter; he had studied anatomy at York and, from 1756, he spent 18 months in Lincolnshire where he carried out dissections and experiments on dead horses to better understand the animal's physiology.
As a student, Degas had filled his notebooks with drawings of horses. During a tour of breeding farms with Paul Valpincon and after exposure to horse races, Degas appreciated the movement of the horses and the colors of the jockeys uniforms. He wanted to make his paintings seem spontaneous as if he'd captured a passing moment. [2]
George Stubbs ARA (25 August 1724 – 10 July 1806) was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds and Gainsborough.
Horse and Train was inspired by both J. M. W. Turner's 1844 painting Rain, Steam and Speed – The Great Western Railway, [1] as well as a couplet excerpt from South African poet Roy Campbell's 1949 poem: Against a regiment I oppose a brain And a dark horse against an armoured train. —
Billie Nipper (November 22, 1929 – February 24, 2016) was an American artist who specialized in painting portraits of horses. Nipper, a native of Cleveland, Tennessee, painted every horse that won the Tennessee Walking Horse World Grand Championship from 1976 until her death.
The Races at Longchamp is an 1866 painting by the French artist Édouard Manet. The Impressionist painting depicts the ending of the Second Grand Prix de Paris at Longchamp. It is currently in the collection of the Art Institute of Chicago. [1] [2] This painting is one of four depictions of the same subject that Manet created over four years. [3]
Battle of Orsha (painting) The Battle of San Romano; The Battle of Taillebourg, 21 July 1242; The Battle of the Amazons (Rubens) Before the Race; The Bewitched Man; Big Rocking Horse; The Black Brunswicker; Black Horses (Grandma Moses) Blackie (American horse) Blessed Be the Host of the King of Heaven; The Blind Girl; Blue Horse I; Blue Horses ...
Her paintings can be described as ephemeral. "Pop Chalee transformed a traditional style of painting to create magical, idyllic images of wide-eyed animals, ceremonial figures, and woodland settings." [20] In her mythical horse paintings, [21] Chalee paints a dreamlike and whimsical horse. Although space is rendered in a clearly two-dimensional ...