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As a student, Degas had filled his notebooks with drawings of horses. During a tour of breeding farms with Paul Valpincon and after exposure to horse races, Degas appreciated the movement of the horses and the colors of the jockeys uniforms. He wanted to make his paintings seem spontaneous as if he'd captured a passing moment. [2]
The painting shows a nude, redheaded woman riding a black, frenetic horse. The horse bares its teeth, its tongue hanging out. Its nostrils are dilated and foam runs from its mouth. The woman riding the horse tightly clasps its neck with her eyes closed, her loose hair fanning out and flowing upwards to mingle with the horse's mane.
More recent exhibitions of her work include a retrospective organized by Albright-Knox Art Gallery in Buffalo, New York (1992–1994), which traveled to Washington, D.C., St. Louis, Chicago, and Seattle (1992); a retrospective at the Museo de Arte Contemporáneo in Monterrey, Mexico (1996); a survey of prints and drawings presented by the ...
George Stubbs ARA (25 August 1724 – 10 July 1806) was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds and Gainsborough.
Stubbs's Molly Long-legs with her Jockey (1761–62), a more typical racehorse portrait (101 × 127 cm). Stubbs's knowledge of equine physiology was unsurpassed by any painter; he had studied anatomy at York and, from 1756, he spent 18 months in Lincolnshire where he carried out dissections and experiments on dead horses to better understand the animal's physiology.
The Races at Longchamp is an 1866 painting by the French artist Édouard Manet. The Impressionist painting depicts the ending of the Second Grand Prix de Paris at Longchamp. It is currently in the collection of the Art Institute of Chicago. [1] [2] This painting is one of four depictions of the same subject that Manet created over four years. [3]
Art historian Andrew Graham Dixon describes the subject as a "little boy on this plump horse, underneath a lowering sky full of dark clouds. The child looks lost." The child looks lost." [ 1 ] According to Simona Di Nepi, the young prince's calm demeanor while seated on a rearing horse has a political significance, representing him as a ...
Horse and Train was inspired by both J. M. W. Turner's 1844 painting Rain, Steam and Speed – The Great Western Railway, [1] as well as a couplet excerpt from South African poet Roy Campbell's 1949 poem: Against a regiment I oppose a brain And a dark horse against an armoured train. —
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