Search results
Results from the WOW.Com Content Network
As a student, Degas had filled his notebooks with drawings of horses. During a tour of breeding farms with Paul Valpincon and after exposure to horse races, Degas appreciated the movement of the horses and the colors of the jockeys uniforms. He wanted to make his paintings seem spontaneous as if he'd captured a passing moment. [2]
Horse and Train was inspired by both J. M. W. Turner's 1844 painting Rain, Steam and Speed – The Great Western Railway, [1] as well as a couplet excerpt from South African poet Roy Campbell's 1949 poem: Against a regiment I oppose a brain And a dark horse against an armoured train. —
paintings The Horse's Mouth: John Bratby [9] paintings and drawings Mistral's Daughter: James Cameron [10] Jack's drawing of Rose Titanic: Cameron also served as the film's writer, director and producer Francesco Clemente [11] Finn's paintings and drawings Great Expectations: Daniel Clowes: Jonah's paintings Art School Confidential
At the Races in the Countryside or Carriage at the Races is an 1869 oil painting by the French painter Edgar Degas. The painting, which depicts a scene of a family in a horse-drawn carriage in the countryside, is on display at the Museum of Fine Arts Boston. [1] The painting was shown at the First Impressionist Exhibition in 1874. [2]
The Races at Longchamp is an 1866 painting by the French artist Édouard Manet. The Impressionist painting depicts the ending of the Second Grand Prix de Paris at Longchamp. It is currently in the collection of the Art Institute of Chicago. [1] [2] This painting is one of four depictions of the same subject that Manet created over four years. [3]
George Stubbs ARA (25 August 1724 – 10 July 1806) was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds and Gainsborough.
More recent exhibitions of her work include a retrospective organized by Albright-Knox Art Gallery in Buffalo, New York (1992–1994), which traveled to Washington, D.C., St. Louis, Chicago, and Seattle (1992); a retrospective at the Museo de Arte Contemporáneo in Monterrey, Mexico (1996); a survey of prints and drawings presented by the ...
Her paintings can be described as ephemeral. "Pop Chalee transformed a traditional style of painting to create magical, idyllic images of wide-eyed animals, ceremonial figures, and woodland settings." [20] In her mythical horse paintings, [21] Chalee paints a dreamlike and whimsical horse. Although space is rendered in a clearly two-dimensional ...