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These fonts were designed in the early 20th century, mainly the 1930s, as grotesque versions of blackletter typefaces. The Nazis heavily used these fonts themselves, although the shift remained controversial; in fact, the press was at times scolded for its frequent use of "Roman characters" under "Jewish influence" and German émigrés were ...
Tannenberg Bold. Tannenberg is a Fraktur-family blackletter typeface, developed between 1933 and 1935 by Erich Meyer at the type foundry D. Stempel AG in Frankfurt am Main.The design followed the "New Typography" principles of Jan Tschichold that promoted "constructed" sans serif typefaces.
Sütterlin is based on older German handwriting, which is a handwriting form of the Blackletter scripts such as Fraktur and Schwabacher, the German print scripts used at the same time. It includes the long s (ſ) as well as several standard ligatures such as ff (f-f), ſt (ſ-t), st (s-t), and ß (ſ-z or ſ-s).
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DIN 1451 is a sans-serif typeface that is widely used for traffic, administrative and technical applications. [1]It was defined by the German standards body DIN (Deutsches Institut für Normung, 'German Institute for Standardisation', pronounced like the English word din) in the standard sheet DIN 1451-Schriften ('typefaces') in 1931. [2]
The first successful German-language comic strip with speech balloons was 1927 the Austrian daily strip Tobias Seicherl in Das Kleine Blatt. Popular German-language comics in Switzerland are Globi and Papa Moll. Until the beginning of the 1980s, German comics remained to a large extent limited to children's comics.
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Cartoons and caricatures were an important part of Nazi propaganda. Der Stürmer provided a great platform for the party to publish their cartoons. Philipp Rupprecht was the newspaper's lead cartoonist, drawing over one thousand anti-Semitic cartoons during his career. Although his style is reported to have changed throughout his years of work ...
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