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Phạm Duy (5 October 1921 – 27 January 2013) was one of Vietnam's most prolific songwriters with a musical career that spanned more than seven decades through some of the most turbulent periods of Vietnamese history and with more than one thousand songs to his credit, [1] he is widely considered one of the three most salient and influential figures of modern Vietnamese music, along with ...
Trịnh Công Sơn (February 28, 1939 – April 1, 2001) was a Vietnamese musician, songwriter, painter and poet. [1] [2] He is widely considered to be Vietnam's best songwriter.
Đờn ca tài tử (Chữ Hán: 彈 歌 才子) or nhạc tài tử (樂才子) is a genre of chamber music in the traditional music of southern Vietnam. Its instrumentation resembles that of the ca Huế style; additionally, modified versions of the European instruments guitar, violin, and steel guitar are used.
Đàn tre ("bamboo instrument") - A hybrid form of the Vietnamese plucked string instrument, similar to a Đàn tính, called a Đàn tre, was created by Nguyễn Minh Tâm, who escaped from Vietnam in 1982 and ultimately settled in Australia. The instrument has twenty-three 800 mm (31 in)-long wire strings attached to a bamboo tube with a ...
The live show Nguyễn Ánh 9 - Nửa thế kỷ âm nhạc (Nguyen Anh 9 - Half a century of music) taking place in Hanoi on the night of December 29, 2011. Nine artists and a band with nine members and nine violins coming from Vietnam National Academy of Music joined the second part of the show.
Nhã nhạc (Vietnamese: [ɲǎːˀ ɲàːˀk], 雅樂, "elegant music") is a traditional music of Vietnam. Vietnamese court music is very diverse, but the term nhã nhạc refers specifically to the Vietnamese court music performed from the Trần dynasty of the 13th century to the Nguyễn dynasty at the end of the 20th century.
Phạm Duy (1921-2013), most prolific songwriter of Vietnam. With a musical career that spanned more than 70 years through some of the most turbulent periods of Vietnamese history and with more than 1000 songs to his credit
Nhạc dân tộc cải biên is a modern form of Vietnamese folk music which arose in the 1950s after the founding of the Hanoi Conservatory of Music in 1956. This development involved writing traditional music using Western musical notation , while Western elements of harmony and instrumentation were added.