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The following images are taken from the Pitts Theology Library Digital Image Archive. Because they are faithful reproductions of a two-dimensional works of art on which copyright has expired, the images are themselves in the public domain.
Catholics use images, such as the crucifix, the cross, in religious life and pray using depictions of saints. They also venerate images and liturgical objects by kissing, bowing, and making the sign of the cross. They point to the Old Testament patterns of worship followed by the Hebrew people as examples of how certain places and things used ...
The file starts with a header containing a magic number (as a readable string) and the version of the format, for example %PDF-1.7. The format is a subset of a COS ("Carousel" Object Structure) format. [24] A COS tree file consists primarily of objects, of which there are nine types: [17] Boolean values, representing true or false; Real numbers ...
Open theism, also known as openness theology, [1] is a theological movement that has developed within Christianity as a rejection of the synthesis of Greek philosophy and Christian theology. [2] It is a version of free will theism [ 3 ] and arises out of the free will theistic tradition of the church, which goes back to the early church fathers ...
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
Loci Theologici was a term applied by Melanchthon to Protestant systems of dogmatics and retained by many as late as the seventeenth century. It is also a way of ordering the strength of different sources used in Catholic theology usually attributed to Melchor Cano and still in use today.
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
Iconolatry (Greek: εἰκών, eikon, 'picture or image', + λατρεία, latreia, 'veritable (full) worship or adoration') designates the idolatric worship or the adoration of icons. In the history of Christianity , iconolatry was mainly manifested in popular worship, as freedom of worship while others viewed it as superstitious belief in ...