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Tarsila do Amaral: Inventing Modern Art in Brazil is a book about the work of the Brazilian modernist artist Tarsila do Amaral by curators Stephanie D'Alessandro and Luis Pérez-Oramas published by Yale University Press in 2017. [1]
It was written by Oswald de Andrade, first published in Correio da Manhã and reprinted in 1924 as the opening of the poetry book Pau-Brasil.He presented a proposal for literature linked to Brazilian reality, based on a rediscovery of the country, and stated that Brazilian art should be an "export", just like Brazilwood; [2] [12]
The beginning of the 20th century saw a struggle between old schools and modernist trends. The Week of Modern Art festival, held in São Paulo in 1922, was received with fiery criticism by conservative sectors of the society, but it was a landmark in the history of Brazilian art. It included plastic arts exhibitions, lectures, concerts, and the ...
He worked as a professor and was one of the organizers of the Week of Modern Art. He researched Brazilian folklore and folk music and used it in his books, avoiding the European style. His Brazilian anti-hero is Macunaíma, a product of ethnical and cultural mixture. Andrade's interest in folklore and his use of colloquial language were ...
The Problem of Race in Brazilian Painting, c. 1850-1920. Art History, 2015: 18–20. Ebony, David. Brazil's First Art Cannibal: Tarsila Do Amaral. Yale University Press Blog, 2017. Jackson, Kenneth David. Three Glad Races: Primitivism and Ethnicity in Brazilian Modernist Literature. Modernism/modernity 1, (1994): 89–112.
M. Andrade was another poet and writer who worked to establish a modern Brazil. His 1922 novel Hallucinated City is hailed as the first book of modern Brazilian poetry and effectively introduced modernist literature to the Brazilian public. He was supportive of Malfatti's 1917 exhibition, but there is little additional account of his direct ...
Rafael Cardoso (born 4 June 1964) is a Brazilian art historian and writer. His published work includes numerous books and essays on the history of art and design in Brazil, nineteenth and twentieth centuries.
He wrote one of the first and most influential collections of modern Brazilian poetry, Paulicéia Desvairada (Hallucinated City), published in 1922. He has had considerable influence on modern Brazilian literature, and as a scholar and essayist—he was a pioneer of the field of ethnomusicology—his influence has reached far beyond Brazil. [1]
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