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This is a list of electronic music genres, consisting of genres of electronic music, primarily created with electronic musical instruments or electronic music technology.A distinction has been made between sound produced using electromechanical means and that produced using electronic technology. [1]
Free tekno, also known as tekno, freetekno and hardtek, is the music predominantly played at free parties in Europe. The spelling tekno is deliberately used to differentiate the musical style from techno. The music is fast and it can vary between 150 and 185 bpm and is characterised by a pounding repetitive kick drum. [1]
Techno is a genre of electronic dance music [2] which is generally produced for use in a continuous DJ set, with tempos being in the range from 120 to 150 beats per minute (bpm). The central rhythm is typically in common time (4 4) and often characterized by a repetitive four on the floor beat. [3]
Hardcore (also known as hardcore techno) [2] [3] is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany [4] in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick (160 to 200 BPM or more [5]), the intensity of the kicks and the synthesized bass (in some subgenres), [6] the rhythm and the atmosphere of the themes (sometimes ...
Big beat is an electronic music genre that usually uses heavy breakbeats and synthesizer-generated loops and patterns – common to acid house/techno.The term has been used by the British music industry to describe music by artists such as The Prodigy, the Chemical Brothers, Fatboy Slim, the Crystal Method, Propellerheads, Basement Jaxx and Groove Armada.
Power noise takes inspiration from Spanish industrial act Esplendor Geometrico, active since 1980, and other artists such as Le Syndicat, active since 1982. [2] The Belgian group Dive also anticipated the style in the early '90s along with a number of releases on the harder or harsher end of the techno spectrum such as several early vinyl EP releases by Aphex Twin.
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