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Early development of modern Hindi theatre can be traced to the work of Bharatendu Harishchandra (1850–1885), a theatre actor, director, manager, and playwright based in Varanasi (Banaras), who is also the father of modern Hindi literature as in his short life of 35 years, he edited two magazines, Kavi vachan Sudha and Harishchandra chandrika, wrote numerous volumes of verse in Braj bhasa ...
Mohan Rakesh (8 January 1925 – 3 December 1972) was one of the pioneers of the Nai Kahani ("New Story") literary movement of the Hindi literature in India in the 1950s. He wrote the first modern Hindi play, Ashadh Ka Ek Din (One Day in Aashad) (1958), which won a competition organised by the Sangeet Natak Akademi.
Multiple choice questions lend themselves to the development of objective assessment items, but without author training, questions can be subjective in nature. Because this style of test does not require a teacher to interpret answers, test-takers are graded purely on their selections, creating a lower likelihood of teacher bias in the results. [8]
[34] [35] The Sanskrit verses in chapter 13.2 of Shatapatha Brahmana (~800–700 BCE), for example, are written in the form of a riddle play between two actors. [ 36 ] The Vedic sacrifice ( yajna ) is presented as a kind of drama, with its actors, its dialogues, its portion to be set to music, its interludes, and its climaxes.
Bharatendu Harishchandra (9 September 1850 – 6 January 1885) was an Indian poet, writer, and playwright. He authored several dramas, biographical sketches, and travel accounts with the goal of influencing public opinion. [1] [2] Bharatendu Harishchandra is often considered the father of modern Hindi literature and theatre.
Sangeet Natak Akademi (The National Academy of Music, Dance and Drama in English) is the national level academy for performing arts set up by the Government of India. It is an autonomous body of the Ministry of Culture , Government of India.
Mudrarakshas has also been a doyen of Awadhi Folk Art Forms including Nautanki, Bhand, Swang Sapera, and Bharthari etc. A recipient of President of India's Sangeet Natak Academy and several other awards authored more than 60 books and directed several plays, Mudrarakshas has been known for his writings on Dalits and minorities.
In addition to this dramatic corpus, Gargi's short stories began to be published in English. A book, Folk Theatre of India, published in New York City and two semi-autobiographical novels in English and Punjabi, The Naked Triangle (Nangi Dhup) and The Purple Moonlight (Kashni Vehra) brought him to the forefront of cosmopolitan attention.