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One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Chopin's later work. The left hand has an unbroken sequence of eighth notes in simple arpeggios throughout the entire piece, while the right hand moves with freedom, occasionally in patterns of seven, eleven, twenty, and twenty-two in the form of polyrhythms.
Only the first volume is the original. The two following volumes of The Real Book were produced. Volume 2 is printed in characteristically "rough" handwriting and transcription, while the third volume is typeset on a computer. The transcriptions in The Real Book are unlicensed; no royalties are paid to the musicians whose songs appear in the ...
The Nocturne Op. 9 No. 2, in E flat major, performed by Mischa Elman and Percy B. Kahn, Victor 12" Red Seal (Classical) 74052, single-sided disc Composition date 1832
The most famous piece from Albinoni's Opus 9 is the Concerto in D minor for oboe (Opus 9, Number 2). It is known for its slow movement. It is known for its slow movement. This concerto is probably the second best-known work of Albinoni after the Adagio in G minor (which was once believed to be a reconstruction based on a fragment by Albinoni).
The Soviet Experience: Volume III (PDF) (CD). Cedille Records. CDR 90000 138. Harris, Stephen (2014). "Shostakovich: the string quartets, Quartet No. 9". Shostakovich: the string quartets. Griffiths, Paul (2012). "Quartet No. 9 in E-flat major for Strings, Op. 117". The Chamber Music Society of Lincoln Center. Archived from the original on 2015 ...
Richard Strauss: Horn concertos 1 and 2 (1997) Ronald Janezic Vienna Philharmonic, André Previn: Deutsche Gramaphon E4534832 Strauss - The Concertos (1999) Barry Tuckwell: London Symphony Orchestra, István Kertész: Decca E4602962 Strauss: Horn Concerto No. 1 in E flat major, Op. 11, etc. Barry Tuckwell Royal Philharmonic Orchestra, Vladimir ...
Measures 1–9 establish the theme – a parallel period with a cadence in G minor – that continues throughout the piece. The theme is varied in measures 9–20 in G minor, F, E flat, A flat, F, and G. A repetition of the theme occurs at measure 21, and then is drastically simplified. Measure 28
Shostakovich and Sviatoslav Richter played the Ninth Symphony in a four-hand arrangement for musicians and cultural officials in early September 1945. The premiere, conducted by Yevgeny Mravinsky, took place on 3 November 1945 in the opening concert of the 25th season of the Leningrad Philharmonic Orchestra, sharing the program with Tchaikovsky's Symphony No. 5.