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Matthew Creith of TheWrap praised Nash-Betts for her performance, portraying a flawed character who battles alcoholism and personal struggles while investigating a series of grotesque murder cases. He appreciated the eccentricity of the supporting characters, particularly Sister Megan and Nurse Redd, saying they add layers of strangeness to the ...
Grotesque studies, Michelangelo Since at least the 18th century (in French and German, as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks.
The British Board of Film Classification has refused to issue an 18 certificate to the unrated version of the film, banning its release in the United Kingdom. [1] BBFC director David Cook explained "Unlike other recent 'torture' themed horror works, such as the Saw and Hostel series, Grotesque features minimal narrative or character development and presents the audience with little more than ...
Stock characters from Commedia dell'Arte — which gave each character a standard costume, so easily identifiable — continued across many types of theater, dramatic storytelling, and fiction. A stock character is a dramatic or literary character representing a generic type in a conventional, simplified manner and recurring in many fictional ...
Grotesque face in architecture at the Arlene Schnitzer Concert Hall 'Theatre of the Grotesque' lends itself to the aesthetics of the Grotesque art movement, translating many of its images in both set and costuming. [8] One notable occurrence is the use of makeup or masks to emulate the surreal faces which litter the movement. [8]
Grotesque is a 1988 American horror film by Joe Tornatore, and starring Linda Blair, Tab Hunter, and Donna Wilkes.Blair also served as associate producer. [2] It follows a deformed son, the titular "Grotesque" who avenges the brutal murder of his family members by a gang of punks, which took place at the family's vacation home.
An extreme case of this was the film Outside the Law (1920), where he played a character who shot and killed another character, whom he also was playing. [9] As Quasimodo, the bell ringer of Notre Dame Cathedral, and Erik, the "phantom" of the Paris Opera House, Chaney created two of the most grotesquely deformed characters in film history.
The "arabesque" stories focus on a single aspect of a character, often psychological, such as "The Fall of the House of Usher". [7] A distant relative of Poe, modern scholar Harry Lee Poe , wrote that "grotesque" means "horror", which is gory and often disgusting, and "arabesque" means "terror", which forsakes the blood and gore for the sake of ...