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Most of the essays previously appeared in The New Yorker, Harper's Magazine, Details, and Graywolf Forum.In the introductory essay, "A Word About This Book," Franzen notes that the "underlying investigation in all these essays" is "the problem of preserving individuality and complexity in a noisy and distracting mass culture: the question of how to be alone."
How to Be Alone, a 2014 book by Sara Maitland; How to Be Alone: If You Want To, and Even If You Don't, a 2018 book by Lane Moore "How to be alone", a 2016 poem by Donika Kelly; in other media: How to Be Alone, a 2016 short film; How to Be Alone, a 2009 short film by Andrea Dorfman "How to Be Alone", a song by Eulogies from Here Anonymous
The song was recorded just days before the group's greatest hits was sent to be manufactured. Following a single remix, "I Think We're Alone Now" was released as a contender for the Christmas number one. It reached the top five on the UK Singles Chart. The music video, inspired by heist films, features Girls Aloud robbing a Las Vegas casino.
Favorites like “I Think We’re Alone Now” and “I Saw Him Standing There” hit differently for the 52-year-old now, so she’s rerecording and reimagining them.
The release of the music video for "Alone" was published on Walker's YouTube channel on 2 December 2016. [5] It has over 1.2 billion views as of October 2021. The music video explores themes of being alone yet quickly evolves into what seems to be a group effort by Walkers to meet up.
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Songbook (published in the United Kingdom as 31 Songs) is a 2002 collection of 26 essays by English writer Nick Hornby about songs and (more often) the particular emotional resonance they carry for him. In the UK, Sony released a stand-alone CD, A Selection of Music from 31 Songs, featuring 18 songs.
Mike Wass of Idolator wrote that the song is a "nice way to kick off an era" that "does showcase the 'Anywhere' singer's powerful pipes and growth as an artist". [3] Rob Copsey of the Official Charts Company wrote that the song features "opening guitar strums[,] Coldplay-sized chantalong chorus [and] catchy finger snaps, punchy electronic beats and some killer adlibs", concluding that Ora's ...