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Perfect is the enemy of good is an aphorism that means insistence on perfection often prevents implementation of good improvements. Achieving absolute perfection may be impossible; one should not let the struggle for perfection stand in the way of appreciating or executing on something that is imperfect but still of value.
Pāramitā (Sanskrit, Pali: पारमिता) or pāramī (Pāli: पारमी) is a Buddhist term often translated as "perfection". It is described in Buddhist commentaries as a noble character quality generally associated with enlightened beings.
John A. Rea wrote about the poem's "alliterative symmetry", citing as examples the second line's "hardest – hue – hold" and the seventh's "dawn – down – day"; he also points out how the "stressed vowel nuclei also contribute strongly to the structure of the poem" since the back round diphthongs bind the lines of the poem's first ...
Arete (Ancient Greek: ἀρετή, romanized: aretḗ) is a concept in ancient Greek thought that, in its most basic sense, refers to "excellence" of any kind [1] —especially a person or thing's "full realization of potential or inherent function." [2] The term may also refer to excellence in "moral virtue." [1]
Plath suggests that perfection itself "tamps the womb," and goes on to describe the emotions she associates with menstruation, the cycles of menstruation symbolized by the moon. [ 2 ] Literary critic Pamela J. Annas argues "The Munich Mannequins" describes "particularly well the social landscape within which the "I" of Sylvia Plath's poems is ...
Hence, the goal for Averroës and Cavalcanti was the perfection of the sensitive capacity through reason in order to achieve a balance between the body's physical desires and the intellect. This balance was considered the buon perfetto, the "good perfection." Guido thought this balance could not be achieved, which is why he speaks of ...
"Spirits of the Dead" was first titled "Visits of the Dead" when it was published in the 1827 collection Tamerlane and Other Poems. The title was changed for the 1829 collection Al Aaraaf, Tamerlane, and Minor Poems. The poem follows a dialogue between a dead speaker and a person visiting his grave. The spirit tells the person that those who ...
Alcaeus and Sappho, Attic red-figure calathus, c. 470 BC, Staatliche Antikensammlungen (Inv. 2416). Alcaeus of Mytilene (/ æ l ˈ s iː ə s /; Ancient Greek: Ἀλκαῖος ὁ Μυτιληναῖος, Alkaios ho Mutilēnaios; c. 625/620 – c. 580 BC) [1] [2] was a lyric poet from the Greek island of Lesbos who is credited with inventing the Alcaic stanza.