Search results
Results from the WOW.Com Content Network
The corrido (Spanish pronunciation: ) is a famous narrative metrical tale and poetry that forms a ballad. The songs often feature topics such as oppression, history, daily life for criminals, the vaquero lifestyle, and other socially relevant themes. [1]
In poetry, metre (Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse.Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order.
Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, u for a short, and u u for a position that may be a long or two shorts):
Monometer: a line of verse with just 1 metrical foot. Dimeter: a line of verse with 2 metrical feet. Trimeter: a line of verse with 3 metrical feet. Tetrameter: a line of verse with 4 metrical feet. Hexameter: a line of verse with 6 metrical feet. Heptameter: a line of verse with 7 metrical feet. Octameter: a line of verse with 8 metrical feet.
Anapaest–A three-syllable metrical pattern in poetry in which two unstressed syllables are followed by a stressed syllable. Dactyl–A three-syllable metrical pattern in poetry in which a stressed syllable is followed by two unstressed syllables. Spondee–A beat in a poetic line that consists of two accented syllables. It is a poetic form ...
It has been suggested that some of the distinctive features that distinguish poetry from prose, such as metre, alliteration, and kennings, at one time served as memory aids that allowed the bards who recited traditional tales to reconstruct them from memory. [3] A narrative poem usually tells a story using a poetic theme.
Common metre or common measure [1] —abbreviated as C. M. or CM—is a poetic metre consisting of four lines that alternate between iambic tetrameter (four metrical feet per line) and iambic trimeter (three metrical feet per line), with each foot consisting of an unstressed syllable followed by a stressed syllable. The metre is denoted by the ...
Indian music is composed and performed in a metrical framework, a structure of beats that is a tala. The tala forms the metrical structure that repeats, in a cyclical harmony, from the start to end of any particular song or dance segment, making it conceptually analogous to meters in Western music. [5]