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Matthew's and Luke's accounts specify the "fringe" of his cloak, using a Greek word which also appears in Mark 6. [8] According to the Catholic Encyclopedia article on fringes in Scripture, the Pharisees (one of the sects of Second Temple Judaism) who were the progenitors of modern Rabbinic Judaism, were in the habit of wearing extra-long fringes or tassels (Matthew 23:5), [9] a reference to ...
And a woman who had been suffering from a hemorrhage for twelve years, came up behind Him and touched the fringe of His (Jesus') cloak; for she was saying to herself, 'If I only touch His garment, I will get well.' But Jesus turning and seeing her said, 'Daughter, take courage; your faith has made you well.' At once the woman was made well.
One such woman had been plagued with a flow of blood for 12 years, no one having been able to heal her. She found the faith in a crowd to force her way up to Jesus, approaching him from behind so as to remain inconspicuous, and simply touching his garment. [13] When she did, two things happened: the flows of blood stopped and she was discovered.
The closest written reference is the miracle of Jesus healing the bleeding woman by touching the hem of Jesus' garment; [5] her name is later identified as Veronica by the apocryphal "Acts of Pilate". The story was later elaborated in the 11th century by adding that Christ gave her a portrait of himself on a cloth, with which she later cured ...
And, behold, a woman, which was diseased with an issue of blood twelve years, came behind him, and touched the hem of his garment: The New International Version translates the passage as: Just then a woman who had been subject to bleeding for twelve years came up behind him and touched the edge of his cloak.
Kowalska wrote that Jesus' right hand was raised in a sign of blessing, the other was touching the garment near his breast, and that from beneath the garment slightly down, aside his breast, emanated two large rays, one red, the other white. [5] [6] [7] In her diary (Notebook 1, items 47 and 48), she wrote that Jesus told her: [3]
The Woman Taken in Adultery is a painting of 1644 by Rembrandt, bought by the National Gallery in London in 1824, as one of their foundation batch of paintings. It is in oil on oak, and 83.8 x 65.4 cm. [1] Rembrandt shows the episode of Jesus and the woman taken in adultery from the Gospel of Saint John.
The writer and critic Vsevolod Garshin in his Notes on Art Exhibitions, published in March 1887 in the Saint Petersburg magazine Severny Vestnik, praised Polenov's painting, in which, in his words, "there is not a single [instance of] what they call drapery, it is all a real dress, clothes; and the artist, who has closely studied the East, has ...
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