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The Dance of Death (1493) by Michael Wolgemut, from the Nuremberg Chronicle of Hartmann Schedel. The Danse Macabre (/ d ɑː n s m ə ˈ k ɑː b (r ə)/; French pronunciation: [dɑ̃s ma.kabʁ]), also called the Dance of Death, is an artistic genre of allegory from the Late Middle Ages on the universality of death.
Italian term Literal translation Definition A cappella: in chapel style: Sung with no (instrumental) accompaniment, has much harmonizing Aria: air: Piece of music, usually for a singer Aria di sorbetto: sorbet air: A short solo performed by a secondary character in the opera Arietta: little air: A short or light aria Arioso: airy A type of solo ...
The theme continued to inspire artists and musicians long after the medieval period, Schubert's string quartet Death and the Maiden (1824) being one example, and Camille Saint-Saëns' tone poem Danse macabre, op. 40 (1847). In the 20th century, Ingmar Bergman's 1957 film The Seventh Seal has a personified Death, and could thus count as macabre.
abaco - abacus; abat-jour - bedside lamp; abate - abbot; abbacchiato - depressed/down; abbacinare - to dazzle; abbacinato - dazzled; abbagliante - dazzling
Danse macabre is scored for an obbligato violin and an orchestra consisting of one piccolo, two flutes, two oboes, two clarinets in B ♭, two bassoons; four horns in G and D, two trumpets in D, three trombones, one tuba; a percussion section that includes timpani, xylophone, bass drum, cymbals and triangle; one harp and strings.
Camille Saint-Saëns' "Danse Macabre" also follows the rhythm of the fandango. In the 21st century, Italian composer Carlotta Ferrari has written several Fandangos; particularly, her 2020 "Fandango RPS" [8] uses the Restarting Pitch Space harmony system. [9]
In English, the phrase is typically pronounced / m ə ˈ m ɛ n t oʊ ˈ m ɔːr i /, mə-MEN-toh MOR-ee.. Memento is the second-person singular active future imperative of meminī, 'to remember, to bear in mind', usually serving as a warning: "remember!"
Records of Medieval dance are fragmented and limited, but a noteworthy dance reference from the medieval period is the allegory of the Danse Macabre. During the Renaissance, dance became more diverse. [5] Country dances, performed for pleasure, became distinct from court dances, which had ceremonial and political functions. [6]