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  2. Large Interior Form, 1953–54 - Wikipedia

    en.wikipedia.org/wiki/Large_Interior_Form,_1953–54

    The artist's copy was lent in 2011 by the Henry Moore Foundation to the Snape Maltings, in Suffolk. [3] Others are at the Art Institute of Chicago (illustrated), in an outdoor setting at the Nelson-Atkins Museum in Kansas City, MO. [4] [5] These sculptures measure 16 feet 3 inches × 56 1 ⁄ 4 inches × 56 1 ⁄ 4 inches (495.3 × 142.88 × ...

  3. Department of Egyptian Antiquities of the Louvre - Wikipedia

    en.wikipedia.org/wiki/Department_of_Egyptian...

    Crypt of the Sphinx, Room 1 of the Department with the Great Sphinx of Tanis. The Department of Egyptian Antiquities of the Louvre (French: Département des Antiquités égyptiennes du Louvre) is a department of the Louvre that is responsible for artifacts from the Nile civilizations which date from 4,000 BC to the 4th century. [1]

  4. Conservation and restoration of outdoor bronze objects

    en.wikipedia.org/wiki/Conservation_and...

    The conservation and restoration of outdoor bronze artworks is an activity dedicated to the preservation, protection, and maintenance of bronze objects and artworks that are on view outside. When applied to cultural heritage this activity is generally undertaken by a conservator-restorer .

  5. Ogmios - Wikipedia

    en.wikipedia.org/wiki/Ogmios

    Georges Dottin, Christian-Joseph Guyonvarc'h and Françoise Le Roux [] have proposed to derive the god's name derives from Greek ὄγμος (ógmos, "furrow, path"). [1] [2]: 233 Though Lucian tell us that Ogmios is the name of the god "in their native tongue", Guyonvarc'h and Le Roux believe it is possible the name may have been borrowed by Gaulish speakers from Greek in the parts of Gaul ...

  6. Ormolu - Wikipedia

    en.wikipedia.org/wiki/Ormolu

    French ormolu mantel clock (around 1800) by Julien Béliard (1758 – died after 1806), Paris.The clock case by Claude Galle (1758–1815) Ormolu (/ ˈ ɔːr m ə ˌ l uː /; from French or moulu ' ground/pounded gold ') is the gilding technique of applying finely ground, high-carat gold–mercury amalgam to an object of bronze, and objects finished in this way.

  7. Capodimonte porcelain - Wikipedia

    en.wikipedia.org/wiki/Capodimonte_porcelain

    The porcelain of Capodimonte, and later Naples, was a "superb" translucent soft-paste, "more beautiful" but much harder to fire than the German hard-pastes, [2] or "a particularly clear, warm, white, covered with a mildly lustrous glaze". [3] The Capodimonte mark was a fleur-de-lys in blue, or impressed in relief inside a circle. [4]

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