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Electric violin signals usually pass through electronic processing, in the same way as an electric guitar, to achieve a desired sound. This could include delay, reverb, chorus, distortion, or other effects. Today electric violins are even being used to reinvigorate music education.
Didier Lockwood (11 February 1956 – 18 February 2018) was a French violinist.He played in the French rock band Magma in the 1970s, and was known for his use of electric amplification and his experimentation with different sounds on the electric violin.
Jean-Luc Ponty (born 29 September 1942) [1] is a French jazz and jazz fusion violinist and composer. He is considered a pioneer of jazz-rock, particularly for his use of the electric violin starting in the 1970s.
Mark Winthrop Wood is an American electric violinist and the founder of Wood Violins, a company that manufactures his electric violin designs. His music education program, Electrify Your Symphony, has been featured on news programs nationwide. [1] He is also an Emmy-winning composer and the original string master of the Trans-Siberian Orchestra ...
He is one half of the electric violin band FUSE with Linzi Stoppard. [2] In 2010, Lee set a Guinness World Record for "world's fastest violinist" by playing "Flight of the Bumblebee" in 64.21 seconds, [3] [failed verification] and later set the record for "fastest electric violinist" in 2013. He had also previously held the Guinness World ...
The Wailing Souls' All Over the World (1992) – Violin, sarod; Frank Zappa's You Can't Do That on Stage Anymore, Vol. 6 (1992) Song: "Thirteen" – Electric violin Song: "Take Your Clothes Off When You Dance" – Electric violin. Shadowfax's Esperanto (1992) – violin; White Sands OST (1992) – Percussion, violin, vocals
Vanessa-Mae (British, violin techno-acoustic fusion) Maxim Vengerov (Israeli) April Verch (Canadian) Sarana VerLin (Dark Carnival) (electric 5-string) (rock, folk) Susan Voelz acoustic electric 5 string, Poi Dog Pondering, Alejandro Escovedo, rock, electronica; Josh Vietti (hip hop, pop)
The song topped the Billboard Race Records chart for seven weeks and reached number 19 on the pop chart with sales of three million copies. [15] A blues ballad with piano accompaniment and background singers, the song bore little resemblance to much of Johnson's earlier blues and jazz material. The follow-ups "Pleasing You", "So Tired", and ...