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SP Balasubrahmanyam became identified as Salman Khan's voice in the 90s just like Kishore Kumar became Rajesh Khanna's voice through the 70s. [ 7 ] [ 8 ] In 2013, Balasubrahmanyam recorded the title song for Chennai Express , singing for the lead actor Shah Rukh Khan , under the music direction of Vishal–Shekhar , breaking his 15-year hiatus ...
Hindi film songs, more formally known as Hindi Geet or Filmi songs and informally known as Bollywood music, are songs featured in Hindi films.Derived from the song-and-dance routines common in Indian films, Bollywood songs, along with dance, are a characteristic motif of Hindi cinema which gives it enduring popular appeal, cultural value and context. [1]
A. R. Rahman made his debut in Indian Music Industry with the 1992 Tamil film Roja.In his three decade long career, he has composed and produced original scores and songs for more than 145 films in various languages, namely Tamil, Hindi, Telugu, Malayalam, English, Persian and Mandarin.
Indian Babu "I Wanna Take You" Nadeem-Shravan Sameer [87] Kal Ho Naa Ho "It's The Time To Disco" Shankar–Ehsaan–Loy Javed Akhtar: Vasundhara Das, Shaan, Loy Mendonsa [88] Khushi "Hai Re Hai Re" Anu Malik Sameer Hema Sardesai [89] Khwahish "Jaan-E-Man" Milind Sagar: Faaiz Anwar Asha Bhosle [90] Kucch To Hai "Aisa Kyon Hota Hai" Anu Malik ...
Hindi: Ābhēri/ Bhimpalasi: Khilte Hain Gul Yahan [TH - A Raga's Journey 1] Sharmeelee: Sachin Dev Burman: Kishore Kumar & Lata Mangeshkar: Hindi: Ābhēri/ Bhimpalasi: Khoya Khoya Chand [TH - A Raga's Journey 1] Kala Bazar: Mohammed Rafi: Hindi: Ābhēri / Bhimpalasi: Man Mor Hua Matavala Afsar(1948 film) S. D. Burman: Suraiya: Hindi ...
Then she went on recording some Hindi songs under A. R. Rahman's compositions from 1991 to 1995, her breakthrough in Hindi film music came through "Kehna Hi Kya" from the film Bombay (1995), which was highly successful in the North Indian region and gave her an identity in Bollywood film industry ("Kehna Hi Kya" was included in The Guardian ...
M. Maana Ke Hum Yaar Nahin; The Madras Song; Main Kaun Hoon; Main Rahoon Ya Na Rahoon; Malang (song) Manikya Malaraya Poovi; Manohari (song) Masakali; Mayya (song)
Bhasker Gupta, writing for AllMusic, said the soundtrack was the best of Jatin–Lalit's career, and that it "marked the beginning of the fifth wave in Indian cinema ...". [10] Vipin Nair, writing for The New Indian Express and Music Aloud also agreed it being the best soundtrack of Jatin–Lalit so far and assigned a score of 8.5 (out of 10).
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