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A rangoli on the occasion of Diwali, Goa, India A rangoli made with flowers on the occasion of Onam Rangoli at Delhi, India Rangoli is an art form that originates from the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered limestone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks.
Kolam (Tamil: கோலம், Malayalam: കോലം, Kannada: ರಂಗೋಲೆ), also known as Muggu (Telugu: ముగ్గు), Tarai Alangaram (Tamil: தரை அலங்காரம்) and Rangoli (Kannada: ರಂಗೋಲೆ), is a form of traditional decorative art that is drawn by using rice flour as per age-old conventions. It ...
In Punjab, during festivals such as Holi, Karva Chauth and Diwali, walls and courtyards of rural houses are enhanced with drawings and paintings similar to rangoli in South India, mandana in Rajasthan, and rural arts in other parts of India. Chowk-poorana mud wall art in Punjab is given shape by the peasant women of the state.
The festival is characterised by colourful floor decorations called rangoli, a special gudi dvaja; which is a saari or dhoti or other piece of cloth garlanded with flowers, mango & neem leaves; a sugar crystal garland called gathi, topped with upturned silver or copper vessels. Celebration also includes street gathering, dancing & festive foods.
An alpana is usually created on flooring, generally directly on the ground. On this, a wet white pigment made of rice flour and water (or in some places, chalk powder and water) is used to outline the alpana, with the paint being applied by the artist's finger tips, a small twig, or a piece of cotton thread that is soaked in the dye, or fabric. [3]
Floral Rangoli during Onam are a tradition. The floral Rangoli, known as Onapookkalam, Athapookkalam or just Pookkalam, [52] is made out of the gathered blossoms with several varieties of flowers of differing tints pinched up into little pieces to design and decorate patterns on the floor, particularly at entrances and temple premises like a ...
Navajo sandpainting, photogravure by Edward S. Curtis, 1907, Library of Congress. In the sandpainting of southwestern Native Americans (the most famous of which are the Navajo [known as the Diné]), the Medicine Man (or Hatałii) paints loosely upon the ground of a hogan, where the ceremony takes place, or on a buckskin or cloth tarpaulin, by letting the coloured sands flow through his fingers ...
Empire style – sometimes considered the second phase of Neoclassicism, is an early 19th century design movement in architecture, furniture, other decorative arts, and the visual arts. Dadaism – movement, c. 1915–1923, that rejected accepted aesthetic standards. It aimed to create antiart and nonart, often employing a sense of the absurd.