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Locus amoenus (Latin for "pleasant place") is a literary topos involving an idealized place of safety or comfort. A locus amoenus is usually a beautiful, shady lawn or open woodland, or a group of idyllic islands, sometimes with connotations of Eden or Elysium .
the locus amoenus (for example, the imaginary world of Arcadia) and the locus horridus (for example, Dante's Inferno); the idyll; cemetery poetry (see the Spoon River Anthology); love and death (in Greek, eros and thanatos), love as disease and love as death, (see the character of Dido in Virgil's Aeneid);
Scholars have compared Alcinous' garden and the island of Calypso; both are a locus amoenus with fresh springs and fruit trees. [2] Some differences are noted; Calypso's garden is lush and endowed with a supernatural aesthetic beauty, while Alcinous' garden is simple and productive.
The locus amoenus: the strophes that come after strophe 52 of Canto IX, and some of the main parts that appear from strophe 68 to 95 describe the scenery where the love encountered between the sailors and the Nymphs take place. The poet also talks about the fauna that live there and of fruits produced instantly.
Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on the recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature.
The Annunciation - Convent of San Marco, Florence. The term hortus conclusus is derived from the Vulgate Bible's Canticle of Canticles (also called the Song of Songs or Song of Solomon) 4:12, in Latin: "Hortus conclusus soror mea, sponsa, hortus conclusus, fons signatus" ("A garden enclosed is my sister, my spouse; a garden enclosed, a fountain sealed up.") [6] This provided the shared ...
Employees at multiple federal agencies were ordered to remove pronouns from their email signatures by Friday afternoon, according to internal memos obtained by ABC News that cited two executive ...
Even the scene of the "infernal hunt", already present in Divine Comedy, the Canto of Pietro della Vigna, is inserted by Boccaccio in a setting very different from natural to Dante, a locus amoenus in which assumes traits much less gruesome and more like those of a sacred representation.