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Suite for Solo Violin No. 1, Op. 7 -dedicated to Igor Bezrodny-Suite for Solo Violin No. 2, Op. 13 -dedicated to Vladimir Avramov-Jenő Hubay. 6 Etudes for the Development of Bow Technique -pedagogical work-, Op.63 (1896) 6 Etudes for the Development of Left-Hand Technique -pedagogical work-, Op.64 (1896)
Violin Concerto No. 1 in G minor, Op. 3 (1851), in one movement, dedicated to Franz Liszt; Violin Concerto No. 2 in D minor "in the Hungarian manner", Op. 11 (1861) Violin Concerto No. 3 in G major, WoO (1875) David Johnstone. The Four Seasons, for Violin solo and string orchestra (pub. 2008)
Some composers have discussed the significance of silence or a silent composition without ever composing such a work. In his 1907 manifesto, Sketch of a New Esthetic of Music, Ferruccio Busoni described its significance: [1] That which, within our present-day music, most nearly approaches the essential of the art, is the Rest and the Hold (Pause).
Working at the behest of Gottfried van Swieten, Wolfgang Amadeus Mozart arranged some of the fugues from The Well-Tempered Clavier for string quartet . [1] His K. 404a contains transcriptions for string trio of a few more fugues from The Well-Tempered Clavier and of some other works by Bach. [2]
The Violin Concerto No. 2, Scherben der Stille (Shards of Silence), is the second violin concerto by the Korean composer Unsuk Chin.It was written for the violinist Leonidas Kavakos in 2021 on a joint commission from the London Symphony Orchestra supported by the Ernst von Siemens Music Foundation, the Boston Symphony Orchestra supported in part by the Massachusetts Cultural Council's New ...
The work is scored for solo violin and an orchestra comprising two flutes (2nd doubling piccolo), two oboes (2nd doubling Cor anglais), two clarinets (2nd doubling E-flat clarinet), two bassoons, contrabassoon, four horns, four trumpets, two trombones, tuba, timpani, five percussionists, two harps, harpsichord (doubling celesta), and strings. [1]
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Violin (original version for solo violin) 60 Variations on the Genoese folksong "Barucabà" (Part I: Tema in A major, with 20 Var. - Part II: Tema in C major, with 20 Var. - Part III: Tema in D major, with 20 Var.) 1835: 14: 71b: Variazioni sul Barucabà (Barucaba variations) Violin / Guitar