Search results
Results from the WOW.Com Content Network
In music, heterophony is a type of texture characterized by the simultaneous variation of a single melodic line. Such a texture can be regarded as a kind of complex monophony in which there is only one basic melody, but realized at the same time in multiple voices, each of which plays the melody differently, either in a different rhythm or tempo, or with various embellishments and elaborations ...
The term Grand ballabile is used if nearly all participants (including principal characters) of a particular scene in a full-length work perform a large-scale dance. bar, or measure unit of music containing a number of beats as indicated by a time signature; also the vertical bar enclosing it barbaro
re (music) ré noun king scopo: scòpo noun goal scópo verb I sweep sorta: sòrta noun kind sórta verb I rose tema: tèma noun theme, subject téma noun fear torta: tòrta adjective, ppl. twisted (f. sing.) tórta noun a torte venti: vènti noun winds vénti noun twenty volgo: vòlgo verb I turn vólgo noun the people volto: vòlto ppl ...
Gaelic psalm singing was the main inspiration behind the Runrig song "An Ubhal as Àirde (The Highest Apple)" on their album The Cutter and the Clan.. Samples of Gaelic psalm singing have been used in songs by Capercaillie and Martyn Bennett.
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
Anarâškielâ; العربية; Aragonés; Azərbaycanca; বাংলা; Башҡортса; Беларуская; Беларуская (тарашкевіца)
A false relation (also known as cross-relation, non-harmonic relation) is the name of a type of dissonance that sometimes occurs in polyphonic music, most commonly in vocal music of the Renaissance and particularly in English music into the eighteenth century. The term describes a "chromatic contradiction" [1] between two notes sounding ...
Introduction to Sousa's "Washington Post March", m. 1-7 Play ⓘ features octave doubling [1] and a homorhythmic texture.. In music, homorhythm (also homometer) is a texture having a "similarity of rhythm in all parts" [2] or "very similar rhythm" as would be used in simple hymn or chorale settings. [3]