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Kal Chaudhvin Ki Raat Thi (کل چودھویں کی رات تھی) is a popular ghazal from the movie Khamoshi. It was originally sung by Jagjit Singh [ 1 ] [ 2 ] but the version by Ghulam Ali , Asad Amanat Ali and Abida Parveen is also popular. [ 3 ]
"Shehar Ki Pariyon" Kal Ki Awaaz: 289 "Sabse Hum" Nadeem–Shravan: 290 "Aaj Raat Chandni" 291 "Aaj Raat Chandni"(Sad) 292 "Aaj Raat Chandni"(Version ll) Kasak 293 Barsa Paani Barsa Rajesh Roshan Rajesh Roshan: Khel: 294 "Na Hai Zameen, Na Aasman, Laaye Kahan Ho Humko" Amit Kumar Khule-Aam: 295 "Tujhko Maine Dil Diya Tujhse Maine Pyar Kiya" R ...
"Aayi Amawas Ki Raat" Annu Malik: Kumar Sanu Chaal Pe Chaal: 248 "Maro Goli" Laxmikant - Pyarelal: Amit Kumar Choron Ki Rani Hasino Ka Raja: 249 "Pahen Ke Choli Jaipur Ki" Anwar - Usman: Anuradha Paudwal 250 "O Chikne Galon Wale" (Parody) Solo 251 "Main Rani Hoon Duniya Walon" Anuradha Paudwal 252 "Thanedaar Ji Mujhko Kar Lo" Mohd Aziz 253
Dulhan Har Raat Ki "Aakash Pe Taare Hain" Hari–Arjun Kulwant Jani Mohammed Aziz Ek Daku Shehar Mein "Hum Hain Tere, Tu Hamare" Rajesh Roshan Majrooh Sultanpuri, Rajesh Roshan, Chander Oberoi solo Ek Se Bhale Do "Band Toh Bajega" R D Burman Anjaan Kishore Kumar, Shailendra Ganga Kinare "Aake Bacha Le O Paalanhare" Jeetu–Tapan B. D. Mishra
The Marathi language has a long history of literature and culture. The first Marathi newspaper, Darpan, was started on 6 January 1832 by Balshastri Jambhekar. The paper was bilingual fortnightly also published in English as The Bombay Darpan and stopped publishing in 1840.
For example, the Dnyaneshwari has eight matras in the first three charans and four to six in the last charan. It is thus called a couplet of three and a half charans. In contrast, an abhanga has four charans with eight letters each. [8] [3] [9] Example of an ovee from Dnyaneshwari:
Ganesh Chaturthi, a popular festival in the state. Maharashtra is the third largest state of India in terms of land area and second largest in terms of population in India. . It has a long history of Marathi saints of Varakari religious movement, such as Dnyaneshwar, Namdev, Chokhamela, Eknath and Tukaram which forms the one of bases of the culture of Maharashtra or Marathi culture.
He spent a period of his childhood with writer and poet Narayan Tilak, a Marathi poet from the Konkan region of the Bombay Presidency in British Raj and a convert to Christianity. Narayan Tilak identified the talent within Tryambak and brought him to his home. Laxmibai Tilak had a motherly relationship with Balkavi.