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The adventures of Mberewalaki originated, like all mythology, in ritual performance, and most of the lore of Hocart's Fijian informants consisted of such ritual myths. When they get interested in the topology of the island or are asked about it, Hocart argues, they do precisely what we would do, which is ransack their lore for an answer."
The Oxford Companion to World Mythology provides the following summary and examples: [7] [8] Religious stories are "holy scripture" to believers—narratives used to support, explain, or justify a particular system's rituals, theology, and ethics—and are myths to people of other cultures or belief systems.
There are 32 chapters, one for each of the degrees in the Southern Jurisdiction, except for the 33°. These chapters generally consist of comparative religion, philosophy, comparative etymologies, symbolism, and numerology. The primary themes are the "Secrets" or the "Great Mysteries" and their symbolism and rituals.
The Scythian religion refers to the mythology, ritual practices and beliefs of the Scythian cultures, a collection of closely related ancient Iranian peoples who inhabited Central Asia and the Pontic–Caspian steppe in Eastern Europe throughout Classical Antiquity, spoke the Scythian language (itself a member of the Eastern Iranian language ...
Religion may be defined as "a set of beliefs concerning the cause, nature, and purpose of the universe, especially when considered as the creation of a superhuman agency or agencies, usually involving devotional and ritual observances, and often containing a moral code governing the conduct of human affairs," [1] whereas ritual is "an established or prescribed procedure for a religious or ...
Magic (personified as the god heka) was an integral part of religion and culture which is known to us through a substantial corpus of texts which are products of the Egyptian tradition. [10] While the category magic has been contentious for modern Egyptology, there is clear support for its applicability from ancient terminology. [11]
Prana pratishtha (IAST: prāṇa pratiṣṭhā) is the rite or ceremony by which a murti (devotional image of a deity) is consecrated in a Hindu temple.The Sanskrit terms prana means "life" and pratishtha means "to be established."
In his book The Ritual Process: Structure and Anti-Structure, he proposes his theory of liminality and communitas. He developed liminality from folklorist Arnold Van Gennep. For Turner, the liminal stage is a period of ambiguity or transition where an individual's status in a ritual change from pre-ritual stage to post-ritual.