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Stylistically it is "in a very late version of the Trewhiddle style". [4] After the discovery of the Strickland Brooch, one of the closest parallels to the Fuller Brooch, also 9th century and in the British Museum, additional research determined that the niello used in the Fuller Brooch was mainly silver sulphide, a type that went out of use later in the medieval period, in itself an argument ...
The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is the largest in the world. [3] It documents the story of human culture from its beginnings to the present.
The Sackler name will be removed from galleries, rooms and endowments they supported.
The Walters Art Museum. Lombardic gilded silver brooch from Tuscany, c. AD 600, one of the largest of its kind (British Museum) [2] A fibula (/ˈfɪbjʊlə/, pl.: fibulae /ˈfɪbjʊli/) is a brooch or pin for fastening garments, typically at the right shoulder. [3]
A book to accompany the series, A History of the World in 100 Objects by Neil MacGregor, was published by Allen Lane on 28 October 2010. [2] The entire series is also available for download along with an audio version of the book for purchase. The British Museum won the 2011 Art Fund Prize for its role in hosting the project.
The British Museum states that it “takes its commitment to be a world museum seriously. The collection is a unique resource to explore the richness, diversity and complexity of all human history ...
The reliquary was featured in the BBC's A History of the World in 100 Objects, in which Neil MacGregor described it as "without question one of the supreme achievements of medieval European metalwork", [2] and was a highlight of the exhibition Treasures of Heaven: Saints, Relics, and Devotion in Medieval Europe at the British Museum from June ...
It was made circa 1550s. At some point the codex came into the possession of the antiquarian and scholar of Mesoamerica Edward King, Viscount Kingsborough , after whom the codex is commonly known. After his death in 1837, it was bought by a bookseller named Rodd in 1843, and later bought from him by the British Museum .