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Innes's inspiration for the song was the title of a story in an old American pulp fiction crime magazine he came across at a street market. [1] Stanshall's primary contribution was to shape "Death Cab for Cutie" as a parody of Elvis Presley (notably Presley's 1957 hit "(Let Me Be Your) Teddy Bear"), and he sang it as such, with undertones of 1950s doo-wop.
"Meet Me on the Equinox" is a song by American indie rock band Death Cab for Cutie that was released as the first single from the soundtrack to the 2009 film The Twilight Saga: New Moon. [1] The song debuted on September 13 during the 2009 MTV Video Music Awards. [2] The music video, directed by the Walter Robot team, premiered in October. [3]
The music video of the song was directed by Autumn de Wilde.The video reflects the song's lyrics, and the story they tell: A woman named "Cath" (portrayed by Beth Riesgraf) is about to be wed to a "well-intentioned man," yet she does not love him, and is still infatuated with a former love (portrayed by Lukas Haas) who watches the ceremony.
“You Are a Tourist” was Death Cab for Cutie's first single off their seventh album, “Codes and Keys,” released in 2011, and was their first No. 1 hit on Billboard's Alternative Airplay chart.
The Good News: When you are feeling tired and sad, you can ask God to give you strength and comfort through His teachings and promises. Woman's Day/Getty Images Lamentations 3:19-22
The song became the band's sixth number one hit on Billboard 's Adult Alternative Songs chart; the song rose to the position in the week ending February 9, 2019. [7] The band promoted the song with a performance on Late Night with Seth Meyers on January 22, 2019. [8] "Northern Lights" received positive reviews from contemporary music critics.
Recently, a touching video has been making waves online, featuring a rescue dog named Hank as he struggles to cope with the loss of his canine companion, Alba. The heartfelt clip has struck a ...
The song's protagonist views an old movie and makes the observation that though the film remains, all of its participants are long gone. Throughout the song's chorus, Gibbard pleads for a larger point to existence: "I wanna know the measure/ From here to forever / And I wanna feel the pressure / Of God or whatever."