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Bal-musette is a style of French instrumental music and dance that first became popular in Paris in the 1880s. Although it began with bagpipes as the main instrument, this instrument was eventually replaced by the accordion , on which a variety of waltzes, polkas, and other dance styles were played.
Émile Vacher (May 7, 1883 - April 8, 1969) was a French accordionist associated with, and often deemed the creator of, the bal-musette genre. [ 1 ] Discography 78s
Music school students play on a Paris square Concert at a Paris club, LaPlage de Glazart. Music in the city of Paris, France, includes a variety of genres, from opera and symphonic music to musical theater, jazz, rock, rap, hip-hop, the traditional Bal-musette and gypsy jazz, and every variety of world music, particularly music from Africa and North Africa. such as the Algerian-born music ...
Musette bressane, a type of French bagpipe; Oboe musette or piccolo oboe, the smallest member of the oboe family; Suona, a type of Chinese sorna (double-reeded horn) Bal-musette, a style of French instrumental music and dance that first became popular in the 1880s; Tablature#Musette tablature, a form of musical notation
Musette is a style of French music and dance that became popular in Paris in the 1880s. Musette uses the accordion as main instrument, and often symbolizes the French art of living abroad. Émile Vacher (1883-1969) was the star of the new style. [2] Other popular musette accordionists include Aimable Pluchard, Yvette Horner and André Verchuren.
Bal-musette is within the scope of the Music genres task force of the Music project, a user driven attempt to clean up and standardize music genre articles on Wikipedia. Please visit the task force guidelines page for ideas on how to structure a genre article and help us assess and improve genre articles to good article status .
The musette de cour or baroque musette is a musical instrument of the bagpipe family. Visually, the musette is characterised by the short, cylindrical shuttle-drone and the two chalumeaux. Both the chanters and the drones have a cylindrical bore and use a double reed, giving a quiet tone similar to the oboe. The instrument is blown by a bellows.
Tchavolo Schmitt (left) with Steeve Laffont, playing their brand of gypsy jazz at la Chope des Puces, Paris, in 2016. Gypsy jazz (also known as sinti jazz, gypsy swing, jazz manouche or hot club-style jazz) is a musical idiom inspired by the Romani jazz guitarist Jean "Django" Reinhardt (1910–1953), in conjunction with the French jazz violinist Stéphane Grappelli (1908–1997), as expressed ...