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Modern editions conventionally mark long diphthongs with a macron on the first letter: e.g. long ēa , ēo in contrast to short ea , eo . [126] In this article, short diphthongs such as ea are transcribed like [æ͝ɑ], and long diphthongs such as ēa are transcribed like [æ͞ɑ]. Some dialects had additional diphthongs:
e′ is used in Taa, where it represents the glottalised or creaky vowel /ḛ/. ea is used in many languages. In English, ea usually represents the monophthong /iː/ as in meat; due to a sound change that happened in Middle English, it also often represents the vowel /ɛ/ as in sweat.
Note that some words contain an ae which may not be written æ because the etymology is not from the Greek -αι-or Latin -ae-diphthongs. These include: In instances of aer (starting or within a word) when it makes the sound IPA [ɛə]/[eə] (air). Comes from the Latin āër, Greek ἀήρ. When ae makes the diphthong / eɪ / (lay) or / aɪ ...
In an unstressed open syllable, /i/ and /u/ (including final /-u/ from earlier /-oː/) were lost when following a long syllable (i.e. one with a long vowel or diphthong, or followed by two consonants), but not when following a short syllable (i.e. one with a short vowel followed by a single consonant). [21] This took place in two types of contexts:
In English, for example, the groups /spl/ and /ts/ are consonant clusters in the word splits. In the education field it is variously called a consonant cluster or a consonant blend. [1] [2] Some linguists [who?] argue that the term can be properly applied only to those consonant clusters that occur within one syllable. Others claim that the ...
“I know the longest word in the whole English language,” Jimmy tells Jenny by the playground swings. “It’s antidisestablishmentarianism.”. Jenny slurps up the last of her juice box ...
For example, a type of phonogram (known in linguistics as a rime) is composed of the vowel and the consonant sounds that follow it (e.g. in the words cat, mat and sat, the rime is "at".) Teachers using the analogy method may have students memorize a bank of phonograms, such as -at or -am, or use word families (e.g. can, ran, man, or may, play ...
The song was written in the key of A minor. [2] It is driven by an acoustic guitar line with layers of electric guitar (both rhythm and lead), electric bass guitar, and sung by Lake, with some backing on drums (played by Carl Palmer with congas, tympani mallets and without cymbals), and with a distinctive closing synthesizer solo from Keith Emerson, accompanied by overdubbed synthesizer sounds.