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"Blue Christmas" is a Christmas song written by Billy Hayes and Jay W. Johnson and most famously recorded by Elvis Presley, although it was first recorded by Doye O'Dell in 1948. It is a tale of unrequited love during the holidays and is a longstanding staple of Christmas music , especially in the country genre.
Blue Christmas is the second album of Christmas music by country music artist Ricky Van Shelton. ... Biff Watson - acoustic guitar; Chart performance. Chart (2000)
A chord is inverted when the bass note is not the root note. Chord inversion is especially simple in M3 tuning. Chords are inverted simply by raising one or two notes by three strings; each raised note is played with the same finger as the original note. Inverted major and minor chords can be played on two frets in M3 tuning.
David Grisman – mandolin, mandola; Darol Anger – fiddle, cello, Violectra; Béla Fleck – banjo, 5-string banjo; Mike Marshall – guitar, mandolin, mandola ...
Martina McBride and Carrie Underwood duets have both charted on the Billboard country charts, with the former reaching the Top 40. A second version of "Blue Christmas" was recorded with Martina McBride using mainly acoustic instrumentation in order to obtain a similar arrangement to the one used in the informal segments of Presley's '68 ...
"Christmas Is Just Another Day" (Harlan Howard) "Christmas Island" (Lyle Moraine) "White Christmas" (Irving Berlin) "Blue Christmas" (Billy Hayes, Jay W. Johnson) "Merry Texas Christmas You All!" (Leon Harris, Bob Miller) "Lonely Christmas Eve" (Buddy Thomton) "I'll Be Walking the Floor This Christmas" (Tubb) "C-H-R-I-S-T-M-A-S" (Eddy Arnold ...
Here's everything fans need to know about "CMA Country Christmas" ahead of time. When is CMA's Country Christmas airing? The special airs on Dec. 14 at 7 p.m. CST.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
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