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The corresponding "right bank" group is constituted of the more famous and financially successful New Wave directors associated with Cahiers du cinéma (Claude Chabrol, François Truffaut, and Jean-Luc Godard). Unlike the Cahiers group, Left Bank directors were older and less movie-crazed. They tended to see cinema akin to other arts, such as ...
After several financial failures, the directors wanted better publicity, with Cahiers an "instrument of combat" of the New Wave. Rohmer profiled New Wave filmmakers in the December 1962 issue before his June 1963 resignation, when Rivette became his successor. [58]
Jean-Luc Godard was born on 3 December 1930 [16] in the 7th arrondissement of Paris, [17] the son of Odile (née Monod) and Paul Godard, a Swiss physician. [18] His wealthy parents came from Protestant families of Franco–Swiss descent, and his mother was the daughter of Julien Monod, a founder of the Banque Paribas.
Sometimes characterized as a "mainstream" New Wave director, Chabrol remained prolific and popular throughout his half-century career. [1] In 1978, he cast Isabelle Huppert as the lead in Violette Nozière. On the strength of that effort, the pair went on to others including the successful Madame Bovary (1991) and La Cérémonie (1995).
Rivette in 2006. Jacques Rivette (French: [ʒak ʁivɛt]; 1 March 1928 – 29 January 2016) was a French film director and film critic most commonly associated with the French New Wave and the film magazine Cahiers du Cinéma.
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The 400 Blows marked the beginning of the French New Wave movement, led by such directors as Jean-Luc Godard, Claude Chabrol and Jacques Rivette. The New Wave dealt with a self-conscious rejection of traditional cinema structure, a topic on which Truffaut had been writing for years.
Rohmer was the last of the post-World War II French New Wave directors to become established. He edited the influential film journal Cahiers du cinéma from 1957 to 1963, while most of his colleagues—among them Jean-Luc Godard and François Truffaut —were making the transition from critics to filmmakers and gaining international attention.