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Concrete art was an art movement with a strong emphasis on geometrical abstraction. The term was first formulated by Theo van Doesburg and was then used by him in 1930 to define the difference between his vision of art and that of other abstract artists of the time.
[28] [29] When he returned to abstraction in 1967, his works were parallel to movements like the color field movement and lyrical abstraction, but he remained independent of both. During the late 1960s, Larry Poons , whose earlier Dot paintings were associated with Op Art , began to produce looser and more free formed paintings that were ...
The Poussinists believed in the Platonic idea of the existence in the mind of ideal objects that could be reconstructed in concrete form by the selection, using reason, of elements from nature. For the Poussinists, therefore, color was a purely decorative addition to form and drawing (design or disegno ), the use of line to depict form, was the ...
The Neo-Concrete Movement (1959–1961) was a Brazilian art movement, a group that splintered off from the larger Concrete Art movement prevalent in Latin America and in other parts of the world. The Neo-Concretes emerged from Rio de Janeiro’s Grupo Frente. They rejected the pure rationalist approach of concrete art and embraced more ...
Color theory, or more specifically traditional color theory, is a historical body of knowledge describing the behavior of colors, namely in color mixing, color contrast effects, color harmony, color schemes and color symbolism. [1]
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, may be used. One who produces paintings is called a painter.
Compared to other movements in design and architecture, Art Nouveau was one with different versions in multiple countries. The Belgian and French form is characterized by organic shapes, ornaments taken from the plant world, sinuous lines, asymmetry (especially when it comes to objects design), the whiplash motif, the femme fatale , and other ...
The French Impressionism movement of the 19th century was influential on the development of Colourist painting and other similar movements such as Fauvism and Expressionism. Impressionists like Claude Monet were known for their use of colour to represent shadow and light, something that later movements would incorporate into their own styles.