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Mohammed Alim Khan (1880–1944), emir of Bukhara, wearing a khalat. A khalat (Persian, from Arabic: خلعت, romanized: khilat) is a loose, long-sleeved outer silk or cotton robe common in Central Asia and South Asia and worn both by men and women, although in differing styles.
A kittel. A kittel (Yiddish: קיטל) is a white linen or cotton robe [1] worn by some religious Ashkenazi Jews on holidays, in the synagogue or at home when leading the Passover seder.
The kittel is a white robe worn on certain occasions by married men (and some women) [14] in Ashkenazic and Hasidic communities, such as Yom Kippur and Passover Seder, and may be worn by those leading prayers (and in some communities by all married men) on Rosh Hashanah, Hoshanah Rabbah, and for Tefilas Tal and Tefilas Geshem.
In West Africa, a kaftan is a pullover robe, worn by both men and women. The women's robe is called a kaftan, and the men's garment is referred to as a Senegalese kaftan. A Senegalese kaftan is a pullover men's robe with long bell-like sleeves. In the Wolof language, this robe is called a mbubb and in French, it is called a boubou.
The clothing of men and women at several social levels of Ancient Egypt are depicted in this tomb mural from the 15th century BC. The preservation of fabric fibers and leathers allows for insights into the attire of ancient societies. The clothing used in the ancient world reflects the technologies that these peoples mastered. In many cultures ...
In the Mishnaic period, as well as in many Islamic countries until the mid-20th century, Jewish men typically wore a tunic (Hebrew: חלוק, romanized: ḥaluq), instead of trousers. [4] In the same countries, many different local regulations emerged to make Christian and Jewish dhimmis look distinctive in their public appearance.
Normally made of cotton brocade, lace, or synthetic fabrics, these robes are common throughout West Africa. A kaftan and matching pants is called a kaftan suit. [1] The kaftan suit can be worn with a kufi cap. [2] Senegalese kaftans are formal wear in all West African countries.
The three pieces are generally of the same colour. It is made from cotton and richly embroidered in traditional patterns. It is worth stating, the Yoruba Agbada is a different clothing and distinct from the Babaringa and Grand Boubou. [2] The Agbada is produced in various styles including with aso oke, lace, silk, etc.
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